Aug 20, 2019
This year during my vacation in England and France I published almost daily blog posts. My writing was experiment to see if I could maintain a regular posting schedule. I also wanted to create a record of the trip. I went with my parents and son. I am not sure how many more long trips we will be able to take together and I thought it would be nice to have a travel log.
Over the month, I wrote four sets of posts. Each set was composed in one of the places where we were staying: Arles, Paris, Sers, and London. My posts tended to fall into four general, often overlapping, themes. I wrote about art, food, places, and politics. My favorite posts about art revolved around family friends Markéta Luskačová and Libuse Jarcovjakova. I summarized the restaurants we visited with posts about places to eat in London and Paris and paid tribute to Cadenheads in London. I wrote about the streets of Arles, Parc de la Villette in Paris, Chateau d’If off the coast of Marseille, the fascinating Château de La Rochefoucauld, and the disgust I felt at Versailles. I composed a meditation on the relation between fashion and politics as walked the Rue de Turenne and I met with a retired professor of political science, a journalist, and some anarchists to discuss the state of French politics. And I offered some pastoral words in the wake of a wave of mass shootings in the United States.
If the object was create a travel log that I will use to remember the trip, my blogging was absolutely a success. The same can be said if the objective was to increase the traffic to my blog. It roughly doubled over the course of the time that I kept the blog. The five posts that generated the most traffic were: Rue de Turenne (or some thoughts on champagne socialism); Reflecting on the Mass Shootings in Dayton, El Paso, Gilroy, and Southhaven from London; Château de La Rochefoucauld; It is the Job of the Far Left to Organize the Margins; and Europe 2019.
Composing a daily blog was a time consuming labor. It took me between 30 minutes and an hour and a half each day. It is not something that I will be continuing now that I am back in Houston. Instead, my blog will largely return to being a place for me to publish the texts of my sermons, letters to the congregation I serve, and announcements about upcoming events. On occasion, I will post other things but for the moment I will be focusing my non-sermon related writing on my scholarship.
Aug 19, 2019
as preached August 11, 2019 at the First Unitarian Universalist Church of Houston, Museum District campus
We have just rung our church bell twenty-one times. Mallet has struck metal for each of the “twenty and odd” Africans who arrived at Point Comfort, Virginia in late August 1619. Their arrival was a pivotal moment in this country’s history. African Americans have provided this country with its some of its foremost artists, religious leaders, philosophers, politicians, and scientists. African American culture has given the United States, and the world, powerful and popular musical traditions that shaped global culture: the blues, jazz, hip-hop, house and techno, rock ‘n roll, and soul. And African Americans have again and again pushed this country to be a land of freedom and equality rather than a land of slavery and injustice.
The Africans who arrived in Virginia were kidnapped by English pirates from a Spanish slave ship originally destined for the Caribbean. At least a few of the names given to them by their kidnappers were recorded. There was a woman called Angelo and a couple called Antonio and Isabella. They were the parents of William, the first African American born in the English colonies. He was born free. Slavery did not become hereditary until later.
Angelo, Antonio, and Isabella, and the others who arrived with them were natives of West Central Africa. They arrived on an English ship called the White Lion. The ship’s crew is believed to have traded them for food and supplies. They were the first Africans to be brought to English North America. And their arrival marks the beginning of chattel slavery in the colony of Virginia.
1619. It is a year that is just as foundational to the United States of America as 1776. The two years represent the contradiction that lies at the heart of the country. From its very inception, the United States of America has proclaimed itself “the land of the free.” From its very inception, the United States of America been built upon unfreedom. It is like the late Toni Morrison observed, “the presence of the unfree [lies] within the heart of the democratic experiment.” Unfreedom has, from its point of origin, warped the very idea of freedom. To build one person’s freedom on another person’s slavery is to turn freedom itself into a lie.
I have a friend who has a joke about this. He says, “Whenever white folks start talking about freedom, I start to look around to see what, or who, they are trying to steal.” Often freedom for people who believe themselves to be white has come at the expense of everyone else. And just as often, African Americans have proclaimed that freedom is either for everyone or no one. It is like Martin King observed, “Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly affects all indirectly.”
This contradiction between freedom and unfreedom has led slavery to be called America’s original sin. Unitarian Universalists, as I said last week, could use a more robust understanding of sin. And theological language is illuminating when we attempt to understand the legacy of slavery.
Sin can be understood as estrangement. Estrangement is a form of separation in which there are, at a minimum, unfriendly feelings between the estranged parties. It is the mission of religion to help us overcome sin. Sin, I am suggesting, is not a cosmic thing, a metaphysical reality. It is something to be found in our human relations (and in our relations with the planet). When I speak of slavery as a sin, I am speaking of a pattern of estrangement that was actualized in the material conditions of people’s lives. The institution of slavery was a set of behaviors, and set of beliefs, that enabled people who believed themselves to be white to imagine other human beings as primarily tools and instruments for producing wealth. When an enslaver looked at someone they had enslaved they did not see the pain in the eyes of another human being. They did not see another being whose purpose in life was to love and laugh, imagine and create. They imagined they saw someone who existed to serve them, who existed to be exploited to build wealth. In their crass imagining the enslavers estranged themselves from their own humanity. In their fierce resistance those who had been enslaved proclaimed theirs.
Sin is overcome by practicing and preaching love. For if sin is estrangement then salvation might be understood as a coming back together, a reunification. And the impulse that brings us back together, and that binds us back together, is love. I am not speaking of romantic love. Instead, I refer to what in the Christian lexicon is called agape--goodwill towards all; the desire that all humans can be free. Salvation, the overcoming of estrangement, then should be understood as basing our lives, and our society, upon a love that honors all human beings.
Sin and salvation, freedom and unfreedom, all of these have a distinctly earthly flavor. Our Unitarian Universalist tradition teaches us not to look for salvation in the next world but to see it in this one. It teaches that sin is not a cosmic thing, a metaphysical reality, but something found in human relations. This is why the Universalist lay leader Fannie Barrier Williams said, “I dare not to cease to hope and aspire and believe in human love and justice...” It is why the Unitarian minister Egbert Ethelred Brown prayed, “May we know that without love there will never be peace. Teach us therefore to love.”
Freedom and unfreedom... 1619. The first Africans arrived in Virginia. They arrived after enduring the brutal Middle Passage. They had been forced into a ship in Angola and cramped below deck. We have no words from them describing their experiences, but we do have the words others who survived the journey from Africa to the Americas. The abolitionist Olaudah Equiano was one of them. Kidnapped as a young boy in what is now Nigeria, he published “The Interesting of the Life of Olaudah Equiano” the same year the United States Constitution became the law of the land. He described the Middle Passage as “filled with horrors of every kind.” He recollected his time confined below deck this way: “with the loathsomeness of the stench, and crying together, I became so sick and low that I was not able to eat, nor had I the least desire to taste any thing. I now wished for the last friend, Death, to relieve me.”
At least two million people--daughters, sons, children, mothers, fathers, parents, lovers, friends, artists, prophets, singers, geniuses, dancers, poets, human beings--died in the Middle Passage. Some succumb to illness. Some were beaten to death when they resisted. Some jumped from the ships rather than endure unfreedom. Let us honor them with a silent prayer.
And a poem: “August 1619” by Clint Smith.
Over the course of 350 years,
36,000 slave ships crossed the Atlantic
Ocean. I walk over to the globe & move
my finger back & forth between
the fragile continents. I try to keep
count how many times I drag
my hand across the bristled
hemispheres, but grow weary of chasing
a history that swallowed me.
For every hundred people who were
captured & enslaved, forty died before they
ever reached the New World.
I pull my index finger from Angola
to Brazil & feel the bodies jumping from
I drag my thumb from Ghana
to Jamaica & feel the weight of dysentery
make an anvil of my touch.
I slide my ring finger from Senegal
to South Carolina & feel the ocean
separate a million families.
The soft hum of history spins
on its tilted axis. A cavalcade of ghost ships
wash their hands of all they carried.
The soft hum of history spins / on its tilted axis. 1619. The first Africans arrived in Virginia not as slaves but as indentured servants. Europeans who lived in the colony were in a similar legal state. Indentured servitude was a system whereby an individual was bound to work for an employer for a particular period of time. At the end of the contract the individual was free to sell their labor to whomever they liked. If they could find land to work, they were also free to live as a farmer. Many poor Europeans made their way, voluntarily and involuntarily, to the English colonies as indentured servants.
Why is this technical distinction between indentured servitude and slavery necessary? Because slavery was created explicitly to divide Africans and poor Europeans. United in mutual love they were a threat to the wealthy elites of the colonies. Estranged through slavery, Africans and poor Europeans could both be exploited to produce wealth for the rich men who owned plantations and factories.
This condition of estrangement was intentionally created to shore up the power of the wealthy. It was created through the legal system. The Africans who arrived in Jamestown, if they lived long enough, died free. Their children were born free. They sometimes united with the children of European indentured servants for greater freedom for the poor. This mutual love was unconscionable to the men who owned most of the land in the colonies, men who understood freedom as the freedom to earn money and not the freedom to be. They passed laws that, in essence, created race and created slavery as a racial condition. First, they passed laws that declaimed that only African people could be slaves. And then they passed laws that said that an individual’s legal status followed that of their mother. If the mother was an African slave then the child, no matter the color of its skin, would be a slave.
Freedom and unfreedom. Sin and salvation. Africans resisted and imagined true liberation from the beginning. They ran away almost as soon as they arrived in the Americas. In the dismal swamps, the mountains, in the deep recesses of the forests, they formed maroon societies. Sometimes joined by poor Europeans who had fled indentured servitude, sometimes joining with Native Americans, free Africans created communities where true freedom was the norm. Interracial solidarity--the salvation of mutual love--overcame the sin of slavery. These communities, as the political philosopher Cedric Robinson has described them, were “communitarian rather individualistic, democratic... Afro-Christian rather than... materialist.” Over the centuries they provided safe harbor for people escaping slavery. Over the centuries they offered a space where people could dream freedom dreams outside of or on the edge of a society where freedom only existed for some people. Many of these free maroon societies lasted until at least the Civil War when they provided bases of operation for African American guerrillas and Union loyalists in the struggle end chattel slavery that the Civil War became.
Freedom and unfreedom. Sin and salvation. Here is an uncomfortable truth about the United States: enslaved people laid the foundation stones of the White House. Enslaved people placed the Statue of Freedom atop the Capital dome. The American Revolution was at least partially about the freedom of men who believed themselves to be white to enslave others. In 1772, four years before the Declaration of Independence, slavery was outlawed in England itself. Men like Thomas Jefferson feared that Britain would eventually abolish slavery in the English colonies. This dynamic prompted the English writer and politician Samuel Johnson to ask, “How is it that we hear the loudest yelps for liberty among the drivers of” slaves?
Throughout the history of this country it has most often been African Americans who held out a different vision of freedom. It is not a vision of freedom based in the ability to enslave others—a vision of freedom rooted in estrangement. It is a vision of freedom based in a belief, in the words of the abolitionist Martin Delaney, “that God has made of one blood all the nations that dwell on the face of the earth.” It is a vision of freedom organized around the idea of universal equality.
The great W. E. B. Du Bois called it abolition democracy. He coined the phrase abolition democracy to distinguish the genuine democratic beliefs of the great abolitionists who opposed slavery from the false democracy of the slave holders. He summarized it in deceptively simple terms. It was “based on freedom, intelligence, and power for all men.” He wrote those words in 1931. If he were alive today I am sure he would have rephrased them to include women and transgender people.
After the Civil War, proponents of abolition democracy demanded full legal rights for the formerly enslaved. They also demanded what we might now call reparations for slavery. They recognized that political freedom is essentially meaningless without economic autonomy. When your entire livelihood is dependent upon some landlord or employer it can seem impossible to vote and act for your own interests.
Alongside political freedom and economic independence, abolition democrats worked for a third thing: universal free public education. They understood that in order for democracy to function community members had to be educated enough to identify and advocate for their own interests. They had to be able to distinguish truth from falsehood, knowledge from propaganda.
Abolition democracy is the greatest of the American political traditions. It is only one that actually offers the possibility of freedom for all people. It proponents form a pantheon saints. In that pantheon are people of African descendant like Phyllis Wheatley who said, “In every human breast, God has implanted a principle, which we call love of freedom; it is impatient of oppression and pants for deliverance.” And Harriet Tubman who wrote, of the struggle for freedom, “I had reasoned this out in my mind; there was one of two things I had a right to, liberty or death.” And Frederick Douglass who gave a speech asking, “What to the slave is the Fourth of July?” And Martin King, and Ella Baker, and Malcolm X, and Fannie Lou Hamer and so many others. It is a pantheon that includes not only people of African descent but all of those who have held out a vision of love that can conquer hate, a vision in which the estrangement of sin can be overcome by the salvation of equality.
Writing about the contradiction between unfreedom and freedom that lies at the heart of the United States, W. E. B. Du Bois argued more than a hundred years ago, “The problem of the twentieth century is the problem of the color-line.” Writing as an advocate of abolition democracy, though she does not use that term, the African American journalist Nikole Hannah-Jones posed her answer to Du Bois’s problem in the form of a question, “What if America understood, finally, in this 400th year, that we have never been the problem but the solution?”
It is a hope that I cling to in these troubled days. It is why I look to people of color and women for leadership in the face of a blatantly white supremacist President who aspires to authoritarianism. It is the saints of abolitionist democracy who have most boldly articulated a different view--a view that proclaims the salvation of love for all. In this desperate hour, when democratic societies are under threat, when racial injustice is increasing, when inequality is growing, when we face the existential threat of climate change, let us turn to their vision of freedom. Let us a proclaim and live an understanding of freedom not born from estrangement and separation but love and unity. For now is the crucial time, not just for you and for me but for all who come after. We live in a moment like the one James Baldwin wrote of at the end of his magnificent meditation on the civil rights movement and race in America, “The Fire Next Time”:
“If we… do not falter in our duty now, we may be able, handful that we are, to end the racial nightmare, and achieve our country, and change the history of the world. If we do not now dare everything, the fulfillment of that prophecy, re-created from the Bible in song by a slave, is upon us: God gave Noah the rainbow sign, No more water, the fire next time!”
Let us inscribe the words of Baldwin, and all the other abolition democrats, known and unknown, on our hearts. 1619. On this four hundredth anniversary of the arrival of Angelo, Antonio, and Isabella, who we know only by the name given to them by their kidnappers, and the other “twenty and odd” Africans who came with them, let us commit ourselves to a vision of freedom for all. It is not a vision of freedom to exploit. It is a vision in which you and you and you and I and all of us can truly be who we ought to be. It is a vision we find articulated in the hymn “Life Every Voice and Sing” which I now invite you to join me in singing.
Aug 7, 2019
London is the city that looms largest in my childhood. I spent almost every summer of my youth here and have many memories about time in the British Museum, the Natural History Museum, Camden Town, and so many other places. I remember going to the theater and seeing Dustin Hoffman in the Merchant of Venice and both Starlight Express and Les Miserables with the original London casts. I remember staying in a flat several summers in a row near Michael Palin’s place on the edge of Hampstead Heath. I never saw the Monty Python member, but I did pass by the Laurel and Hardy statues he had outside his home on numerous occasions. And I remember playing in parks with my brother and enjoying British television—Doctor Who and Rowan Atkinson’s Black Adder on the BBC—and, most of all, British comic books.
My brother and I were huge fans of the fortnightly 2000 AD. When we were kids, we could get it at almost any newsstand. My parents bought us copies to keep us happy while they spent time with their friends at the local pubs. Each summer when we would stock up on as many copies as we could before we went back to Michigan. Through 2000 AD we were first introduced to writers like Neil Gaiman, Grant Morrison, and Alan Moore. We also became familiar with the comic’s tradition of dystopian political critique and techno skepticism.
I was excited to introduce my son to 2000 AD when we arrived in London. I went to look for a copy in the Gatwick airport only to discover that newsstands don’t carry it anymore. When I was a child it was so ubiquitous that many of the longstanding comic book shops in London refer to it in their store names. Camden Town’s excellent shop Mega City Comics is a direct reference to 2000 AD’s disturbing vision that in the future the vast majority of humanity will crowd into a handful of urban conglomerations. But now Marvel and DC seem to have largely pushed out the independent, and political, 2000 AD. So it was to Mega City Comics that I ultimately had to go to buy a solid set of 2000 ADs. I bought a run of the most recent issues and another run of issues from the early 1990s.
On my way out of the store the clerk told me, “Many Happy Future Shocks to You.” The phrase is a reference to the short vignettes that appear throughout the comics—brief stories with surprise endings. They are creative and often push one to imagine a horrifying, totalitarian, future, as something that might be on the horizon. When I was a child, the comics usually celebrated the plucky bands of misfits and outsiders who struggled against thinly veiled illustrations of futuristic version of Thatcher’s Britain.
The clerk’s invocation of the classic phrase got me to thinking about how much London has changed since I was a kid. In many ways, the future of environmental degradation and rising totalitarianism that some of those 1980s comics warned about appears to have arrived—perhaps partially in the form of a corporate monoculture that won’t stock subversive comics. In other ways, London still feels like a familiar city in a familiar world. Pock marks from German ordnance still line the edge of the Victoria and Albert Museum. The Tube is still way too hot in the summer. Double decker buses are still a really fun way to travel. A bits of Victorian, or even Roman, Britain keep popping up in unexpected places. I suppose that’s the way cities, and countries, are, the shocking future comes but often it overlays, rather than entirely replaces, whatever existed before.