Apr 29, 2019
I do not own a car. So, I walk a lot. Walking around the Museum District I have noticed how other congregations in the neighborhood present themselves. I have been taken with the presence of St. Paul’s United Methodist Church. They have a labyrinth which is available for the public to walk. During the Christian season of Lent they have added the stations of the cross for people to use as part of a meditative prayer practice. And they have banners hanging on lamp posts that share the congregation’s vision statement with the neighborhood. It reads: To be a cathedral for Houston that embodies its diversity, inspires faith, and leads change for the common good of all peoples and communities.
Reading St. Paul’s vision statement prompted me to look for First Church’s. It is on the web site and in the Board policies book. It reads: Firmly grounded in our Unitarian Universalist principles, we join together on the path of spiritual and intellectual growth to promote and celebrate community, diversity, and social justice for a healthier and more equitable world.
I must admit that St. Paul’s vision statement struck me as clearer than First Church’s. Our neighbor congregation’s statement articulates what kind of church they aspire to be: a cathedral. And it states the location of that kind of church: Houston. These aspects of St. Paul’s vision statement give it a particularity and rootedness that seem quite powerful. The congregation aspires to be nothing less than a major center for the city’s religious life.
Contrasting, First Church’s vision statement with St. Paul’s, prompted me to wonder: What kind of church do you want First Church to be? Does your current vision statement reflect that aspiration? One of the tasks during an interim or transitional period is to help a congregation recast its vision. If you were to articulate the vision of First Church today, what would it be? Is it the same vision the members of the congregation had ten years ago? Twenty years ago? Fifty years ago? Is it the same vision the congregation will have ten, twenty, or fifty years from now? How important are the congregation’s two locations to that vision? Does it matter that First Church is a congregation in Houston and Richmond? Or would the congregation’s vision be the same if, for instance, its two campuses were located in Washington DC and suburban Maryland? Finding answers to these questions will help the congregation prepare as it begins to search for the senior minister who comes after me. And it is something we will be working on, together, in the coming months. I look forward to that work.
As always, I close with a poem. This spring poem comes from the ninth-century Japanese poet Ki no Tsurayuki:
The wind that scatters
cherry blossoms from their boughs
is not a cold wind--
and the sky has never known
snow flurries like these.
Apr 15, 2019
as preached at the First Unitarian Universalist Church of Houston, Museum District campus, April 14, 2019
This morning’s sermon is about drawing spiritual lessons from the music of Neil Diamond. I will get to that in the moment. But first I want to tell you about one of my favorite artists, the French surrealist Marcel Duchamp. Do you know his work? He is perhaps most famous for his piece the “Fountain.” He entered it into an art show in New York City in 1917. The show had a simple selection criterion: anyone who paid the entry fee had their piece accepted. Duchamp, cheeky surrealist that he was, submitted a commercially manufactured porcelain urinal under the pseudonym “R. Mutt.” This enraged the selection committee. They complained that R. Mutt had not created the piece. It had obviously been produced in a factory. More troubling, the urinal was not art. It was an ordinary object that was used for, shall we say, basic human functions. Its presence in the show debased art. It placed one of the highest expressions of human culture alongside the ordinary, banal, and mundane.
Duchamp responded by publishing an anonymous editorial in an art magazine that he ran with a couple of friends. The relevant section from the editorial reads: “Whether Mr Mutt with his own hands made the fountain or not has no importance. He CHOSE it. He took an ordinary article of life, and placed it so that its useful significance disappeared under the new title and point of view--created a new thought for that object.”
The editorial gets at why I like the piece. I think it offers an essential religious lesson: all things contain beauty. It is a religious discipline to open ourselves to that beauty. An “ordinary article of life” viewed through the eye of the artist becomes art, becomes something beautiful. The artist has “a new thought for that object,” they see something new, something that challenges them, when they look at the familiar--perhaps the most familiar.
I invite you to try it. Pick an object in the sanctuary. A brick. A floor tile. A wooden pew. A section of the ceiling. Your shoes. It does not matter. Just pick something. The more ordinary the better. Look at it for a moment. Really look at it. Can see something of the beauty in it?
When I was preparing this sermon, I came down from my office, stood in this pulpit, and tried the exercise myself. I picked that brick. It is ordinary in its brown redness. There are a scattering of dark spots. These attest to the presence of the iron sulphate in the clay used to make the brick. A few of the spots are pock marked--evidence of where air bubbles burst when the brick baked. Some of the spots lack clear edges--they fade into the mass of red brown when the eye inquires for their ends.
As I stood in the pulpit, I watched light play off the brick. The beauty of the brick shifted as the sun’s rays filtered through the sanctuary window that sits above the choir. It had one set of tones when a cloud passed in front of the sun and another when the day star shone uninhibited. Looking at the brick, I thought of the canvases in Houston’s Rothko Chapel. Have you seen them? The chapel is under renovation until the end of the year. If you have not been, I hope you will go when it opens again.
Light in the chapel comes through the top skylight. As the earth spins on its access, as water vapor moves through the sky, the amount of light that hits each canvas changes. And with it the richness of the canvas--purple tones fade to black or move against pecan or hickory framing.
The roughness of the brick’s clay contains the same effect--it shifts as the light hits it. Looking at the brick, there is beauty in an “ordinary article of life.” There is “a new thought for that object.” Shall I name it? Perhaps, Seven Stars of Revelation--seven being the number of spots and a mystical number found over and over again in the biblical book of Revelation. That book attests, “These are the words of him who holds the seven stars in his right hand,” and unfolds one of the grandest mystical visions in the Christian New Testament.
The Unitarian minister and transcendentalist writer, Ralph Waldo Emerson taught us “revelation is not sealed.” These words are to remind us that we can learn something new, something beautiful, from each experience, from each ordinary object, in our lives. When I look carefully at the brick with the seven spots I am reminded of Emerson’s lesson--seven stars which help me open to constant possibility of revelation--of the feeling the sacred--that is around each of us in each moment of our lives.
Another exercise, listen. Not to me. Listen in this pause to the sound that surrounds the silence. When I stop speaking what do you hear? The musician John Cage composed a piece named 4’33”. It consists of a pianist sitting on a piano bench for four minutes and thirty-three seconds. The pianist just sits there. They do not play a single note. Cage’s intention with the piece is to prompt the audience to listen to the sounds that are around us at all times--your breath, and mine, the heart’s beat, the passing street car, the rustle of your shirtsleeve. What is music? What is beauty?
A musician friend of mine made a similar point in a piece they composed called “Up Train, Down Train.” For the piece, they rode the commuter rail up and down the San Francisco peninsula. Along the way recorded the sounds of their journey: the ticket collector, the jostling of the passengers, the clatter of rail, doors sliding open, and the rain on window glass. In their recording studio they mixed in a variety of other sounds--fragments from classical music, bits of Beethoven or Brahms, snatches of jazz, spoken threads of poetry. Incidental noise and carefully crafted songs were combined to create a haunting composition that pushed me to open my ears to the ordinary music of life.
The heart can turn any object, any sound, any song, into a prayer. Prayer, in my understanding, is the act of reaching out for connection with that which is greater than any of us, surrounds each of us, and infuses all of us. Prayer need not be theistic--God centered--in its orientation. It only need be the opening of the individual self--the I, the you--to the infinity without and the infinity within. This is an understanding I carry with me as I move through the ordinary world, encountering the ordinary objects of life. And it is a lesson I take with me when I have preaching assignments that are not quite of my choosing.
This year at the church auction, I auctioned off the right to give Mark and me a prompt for a Sunday service. This a well-worn practice in a number of Unitarian Universalist congregations. It is one that comes with warning from experienced clergy. One minister I know tells the story about the time they were assigned the Apollo moon landings as a service topic. Well, actually, the person who won the auction item was a conspiracy theorist. They wanted to a have service on why and how NASA’s moon landings had been faked.
My ministerial colleague managed to craft a service that somehow served their congregations from that assignment. Nonetheless, I was a bit worried when this year I decided to auction one of our services. So, I was relieved when I found out our topic was to be the singer songwriter Neil Diamond. I admit that I did not that much about Diamond or his music--or at least I thought I did not. But music is a well-worn path to the spiritual. I knew that if I listened to his music and read something of his life I could find a lesson in it.
When I found out the service topic the first thing, before I even turned to Google, was call my brother Jorin. Jorin, you might know, is a painter who lives in Los Angeles. He is also a fount of information when it comes to popular music.
So, I got him on the phone and asked him, “Jorin, what should I know about Neil Diamond?”
He paused for a moment and then began, “Well, some people call him the Jewish Elvis. You definitely know his music. He wrote, ‘Sweet Caroline,’ and ‘America.’ He also wrote the Monkees’ song ‘I’m a Believer.’”
As I listened to my brother I realized that Diamond is one of those musicians who music infuses much of contemporary life. In this country, you are likely to hear a song like “Sweet Caroline” almost anywhere. It has been featured in movies, sung by a contestant on American Idol, and used in television commercials. It is one of those pop songs that it seems like almost everyone knows. The tune might be familiar, Mark. You might recognize the chorus as well:
Good times never seemed so good
I believe they never could
Mark already played the other Diamond song that my brother mentioned, “America.” Diamond’s parents were themselves the children of Jewish immigrants to New York. He grew up in Brooklyn listening to family stories about his grandparents journeys from Poland and Russia to the United States. Diamond’s immigrant heritage inspired him to write “America.” Its lyrics suggest two things. First, the United States has represented a land of freedom and opportunity for many people around the world for generations. Second, most people in the United States are the descendants of immigrants. As the song begins:
We've been traveling far
Without a home
But not without a star
Only want to be free
We huddle close
Hang on to a dream
The intertwined messages of this song are important today when we have a President who praises dictators like North Korean ruler Kim Jong Un and maligns liberal democratic political systems such as the European Union. The song is a reminder that the authoritarian values of the current White House occupant are not consistent with liberal democratic values--the values that Diamond celebrates in his tune. The song is also a reminder that immigrants have contributed enormously to the economic prosperity and cultural vibrancy of the United States. The current President should know this. His mother was an immigrant from Scotland. His grandparents were immigrants from Germany. Two of his three wives have been immigrants as well. I could pause now to make the observation that the President’s comfort with his European immigrant family and his antipathy or even hatred for immigrants from Latin America highlights his ties to white supremacist movements. That, however, is not the subject of this sermon.
Returning to Diamond, I note that like a lot of Jewish America singer songwriters of his generation he got his start writing songs for other people. He wrote four songs for the manufactured British band the Monkees, one of the boy bands of the seventies. They used have a television show that my brother and I watched as reruns in the early nineties. The lyrics of “Believer” suggest of the way that love, that profound and intimate connection with another soul, can spring up unbidden and unexpected:
Then I saw her face, now I'm a believer
Not a trace, of doubt in my mind
I'm in love, and I'm a believer
As I researched Diamond I began to see something of myself in him. As I suggested at the opening of the sermon, any object can be seen to contain beauty. Anything around us can open the marvels of the universe. The same might be said of human biography. Each of us has a great deal in common with the rest of us. On some level, all humans need the same things: clean air to breath, clean water to drink, good food to eat, shelter, love, and some work to call honest. This observation is one of the core conceits of our Unitarian Universalist faith.
And so, I was not surprised when I came across words by Diamond describing his own experience as a songwriter and his approach to his music that resonated with me. They are from an interview he did in 1975 with Rolling Stone magazine. There he says that his work is an artist stems from an attempt, “to gain an inner sense of acceptance of the self.” My own approach to the craft of preaching is linked to a similar attempt to both find self-knowledge and stir it in others. At the same time, I find myself agreeing with Diamond that music and art are not bound by tightly dictated rules. According to the interviewer, he believes that his songs do not “need to be explained. Or even understood.” He just wants people to open to the music and be stirred by it. About the composition of music he says, “There are no rules, you see. That’s the beautiful thing about it. And the best things I’ve done are the things that people don’t really understand.”
The interviewer describes Diamond as “the consummate searcher,” a sentiment that is familiar to many Unitarian Universalists. A sense of that appears in his song “I’ve Been This Way Before” which the choir performed earlier:
I've seen the light
And I've seen the flame
And I've been this way before
The search for meaning that I find in this song resonates with the Unitarian Universalist tradition of a search for truth and meaning. And if there is any message that I have been trying to communicate in this sermon it is this: we can find religious truth, beauty, meaning, in almost anything. It is more about the perspective we bring than it is necessarily the content, the object, that is already there. For Marcel Duchamp, beauty or art could be found in the ordinary objects of life. For my musician friend, it was found in the rocking movement of the train as it travelled up and down the San Francisco peninsula. And for lovers of Neil Diamond’s music, it is found in his songs.
And now, before I close, two brief pointers to our readings and two spiritual suggestions for you. The poems I chose are each about finding the sacred, the beautiful, in ordinary life. Allen Ginsberg’s poem “A Supermarket in California” is a personal favorite. It connects to the way I tend wander through the world: a head full of poetry and a rather ordinary life of grocery shopping, children’s basketball, and laundry. Like Ginsberg, I often find myself opening to the sacredness of the ordinary in the most banal of places: the Trader Joe’s on Shepherd Street or the HEB on West Alabama. And like Whitman in Ginsberg’s poem, I discover myself going from the most basic questions to the most profound: “Who killed the pork chops? What price bananas? Are you my Angel?” What about you? Do you have similar experiences in your life?
Naomi Shihab Nye is a Texas poet and the child of a Palestinian immigrant. Her poem “My Grandmother in the Stars” recounts a similar experience:
Where we live in the world
is never one place. Our hearts,
those dogged mirrors, keep flashing us
moons before we are ready for them.
Looking at the night sky, she finds that she carries memory, beauty, art, a sense of the sacred ever within her. It is everywhere. In the stars. In the universe which connects all to all. And in her unnamed companion.
Any object can open us to the divine. Any sound can be music. I conclude with my two spiritual suggestions. This, afternoon, or tomorrow, or anytime, take a few minutes to do two things. First, find an ordinary object from life. It could be a urinal, a brick, a piece of asphalt, a cigarette butt, or the beam on a suspension bridge. It does not matter. Spend five minutes really looking at it. What do you see? Do you find yourself opening a little more to the beauty of the universe when you engage the object.
Second, listen to an familiar sound. Pick a pop song that you do not know or choose the ambient collision of wind upon leaf. What sense of connection to the universe do you find within it? Do you discover that revelation is not sealed? That each of us has an original relationship with the universe?
For I've been released
And I've been regained
And I've sung my song before
And I'm sure to sing my song again
...there is only the sky
tying the universe together.
What thoughts I have of you tonight, Walt Whitman, for I walked
down the sidestreets under the trees with a headache self-conscious looking
at the full moon.
Let the congregation say Amen.
Nov 13, 2018
as preached at the First Unitarian Universalist Church of Houston, Museum District campus, November 11, 2018
“Americans can always be trusted to do the right thing, once all other possibilities have been exhausted.” Those words about the United States are attributed to former British Prime Minister Winston Churchill. They are apocryphal. He did not actually say them. But it is a good quote. And sometimes it feels like an accurate assessment of this country.
Today might be a day when many of us resonate with Churchill’s apocryphal assessment. The midterm elections were on Tuesday. They returned the federal government to mixed rule. The group of people who have just been elected to Congress includes the largest number of women ever. There will now be more than one hundred Congresswomen. Many of them are left-leaning and opposed to the current presidential administration. This may put a check on the President’s more autocratic and totalitarian tendencies. At the same time, the firing of the Attorney General and the appointment of an Acting Attorney General appear to be pushing the country closer to a constitutional crisis. If that comes then we will see how many people in this country are really interested in doing the right thing: struggling against rising totalitarianism and for the project of collective liberation.
At the same time there has been another mass shooting, this time in Thousand Oaks California. These events have become so common that there are now people who have lived through two gun massacres. They have become so common that they are in danger of no longer being news. They have become so common that the writer Roxane Gay felt moved to pen a column pleading, “Be shocked by the massacre at a bar. It’s not normal.” They have become so common a few days after Gay’s column was published news of the massacre has largely disappeared. They have become so common that few politicians seem to even feel the need to make cursory gestures to finding solutions to the ongoing epidemic of gun violence.
All of this takes place at a time when scientists are warning us that we may have only two years to address the existential threat of climate change. And, as this week’s news has made clear, it is an existential threat. California is burning. More than twenty-five people are dead. Billions of dollars of damage has been done. Forests are wrecked for the coming generations. But despite this horror there appears to be no collective will to address this profound crisis.
I picked today’s sermon topic, “Democracy in Crisis,” knowing that no matter which party won the midterm elections democracy, and the human species, would continue to be in crisis.
I also picked today’s sermon topic with the knowledge that this Sunday marks the anniversaries of two great crises in democracy. Today is the one hundredth anniversary of the end of World War I. World War I was great crisis in democracy. During and immediately after the war the administration of President Woodrow Wilson waged an all out assault on this country’s grassroots democratic movements. Thousands of political dissenters and antiwar activists were jailed. Dozens of them were killed. Freedom of speech and freedom of assembly were effectively outlawed. The great Socialist Party of Eugene Debs was all but destroyed. At the same time, a dramatic rise in white supremacist violence unleashed epidemics of race riots and lynchings. The regime of Jim Crow and white supremacy were effectively solidified throughout most of the country for several decades--a crisis in democracy if there ever was one.
This weekend also marks the eightieth anniversary of Kristallnacht--the Night of Broken Glass. The name comes from the smashing of the windows of Jewish places of worship, homes, and shops. It signaled that the remnants of liberal democracy in Germany had been destroyed. It signaled that the country had fully become committed to a policy of anti-semitic genocide. It was the start of the Holocaust. The administration of Franklin Delano Roosevelt responded by speaking out against it. And Roosevelt’s administration responded by doing nothing to aid the thousands of Jews who were trying to flee to safety. The ascent of totalitarianism, the closing of borders to its refugees--crises in democracy.
And so, I picked the topic of “Democracy in Crisis” for today because I understood that whatever happened this week there would be a need to talk about the crises of democracy. Maybe this is because democracy seems to be perpetually in crisis. The philosopher Alasdair MacIntyre has claimed that contemporary “politics is civil war by other means.” There are no ultimate resolution to political questions. No one ever wins, not really. This group is dominant and then that. Totalitarianism seems to be defeated in one generation but comes back in the next. Political liberalism appears to offer the most stable form of contemporary government and then it seems to dissolve before waves of demagoguery. Democratic socialism, syndicalism, all the forms of the grass roots democracy surge then and disappear in a generation. There is no final outcome, only ever shifting sands.
We can see this in the United States when we look at the current political situation. As the great baseball player Yogi Berra once said, “It’s deja vu all over again.” The writer Rebecca Solnit recently published a piece in the Guardian arguing that the Civil War never ended. She wrote, “In the 158th year of the American Civil War, also known as 2018, the Confederacy continues its recent resurgence.” Other writers and scholars, myself included, have made similar claims.
We can also see the same dynamic at play when we look to Europe. Today Poland’s elected leaders are joining with avowed nationalists, anti-semites, and even Nazi admirers in a march in Warsaw. More than hundred thousand people are expected to attend. The anti-fascist counter protest will be much smaller. The alliance of the government of Poland with fascists is a reminder that the crisis of democracy is global.
Increasing global inequality is another reminder that the crisis of democracy transcends this country. Here in the United States more than forty years of assaults on labor rights, widespread automation, and the advent of a global integrated economy where workers from different countries directly compete against each other have had their toll. Today the richest three people in this country have more wealth than the poorest fifty percent of the population. Similar dynamics can be seen across the world. Such economic inequality is directly tied to the overall crisis of democracy.
A couple of weeks ago, I talked with you about some of the other contours of the present crisis of democracy. We spoke about how this country is on the verge of becoming a totalitarian state. Last week we spoke about the possibility of the tradition of virtue ethics to help us find a way out of the crisis. Today I want to share with you another resource as we struggle to confront the crisis. It is the radical imagination.
The radical imagination... Albert Einstein said, “Imagination is more important than knowledge.” Our own Ralph Waldo Emerson told us, “Imagination is a very high sort of seeing...” The eighteenth-century poet Phyllis Wheatley asked, “Imagination! who can sing thy force?” So it should be no wonder that the contemporary poet Diane di Prima has warned us, “The only war that matters is the war against the imagination.” Even as she urged us to remember, “every man / every woman carries a firmament inside / & the stars in it are not the stars in the sky.”
The radical imagination... I want to tell you something very important. Every struggle for justice, every social movement, every attempt to make the world a better place, starts with an act of imagination. It begins with some group of people who are bold enough to imagine that the things can be different than they are.
Such imaginings can be acts of bravery. As di Prima put it, “the ground of imagination is fearlessness.” We are often told that things are what they are, they cannot be changed. And yet, things have changed. And when they have it has been because people have been willing to say, as the indigenous movement the Zapatistas have said, “In our dreams we have seen another world, an honest world, a world decidedly more fair than the one in which we now live.” The Zapatistas represent some of the poorest of the Mexican people. Many of them live on less than a dollar a day. And yet, over the past twenty-five years they have been able to articulate a vision of a different world where “peace, justice and liberty” are common, concrete, and not abstract concepts.
The abolitionists of the eighteenth and nineteenth-centuries who fought to end slavery were bold enough to imagine a world where slavery did not exist. This despite the fact that until their victories slavery had existed in some form in every human civilization. The ancients Greek had it. Europeans enslaved each other throughout the middle ages. Slavery was practiced in Africa, in Asia, and among the indigenous nations of the Americas as well. Until 1865 slavery formed the bedrock of the United States’s economy. And yet, men and women like Frederick Douglass could imagine a day “When the accursed slave system shall once be abolished.”
Generations later, Martin Luther King, Jr. and other civil rights leaders like him had, in King's words, "the audacity to believe" that the world could be free of racism and violence. They imagined that world and then set about building it. Today in this country slavery is outlawed and the overtly racist laws of Jim Crow, the disgusting claim of “separate but equal,” have been overturned.
Susan B. Anthony and other nineteenth and early twentieth-century feminists could imagine a world in which women had equal rights with men. She could declare, “there will never be complete equality until women themselves help to make laws and elect lawmakers.” Using their imagination, they were able to organize and struggle to win voting rights for women. And that at a time when many men could not imagine women as doctors, or lawyers, or religious leaders.
I could go on. I suspect that you get the point. Every struggle for justice begins with the radical imagination, the audacity to believe that the supposedly impossible will become the possible. And so, today, as democracy is in crisis, I want to give you gift. I want to give you a space to unleash your own radical imagination. I want to ask you the question, What is your vision for a just world? My friend Chris Crass has developed an exercise to help people imagine the world they would like to create.
I invite you to get comfortable. Close your eyes. Notice your body. Notice how it feels to sit in your pew. Notice how it feels to sit in this sanctuary filled with people inspired by our Unitarian Universalist tradition’s vision of love for humanity. Take a deep breath. Feel the air as it enters your lungs, bringing with it the force of life. As you exhale, feel your body releasing any stress and any negative emotions you have. Feel that negativity drain to the ground. Stay with your breath and focus on it as you inhale and exhale five times. One. Two. Three. Four. Five.
Now, give yourself permission to think creatively and expansively about: The world you are working to create. What is your vision for a just society? What is your vision for a society where democracy is no longer in crisis? There is so much violence that exists in the world. It exists in the government. It exists in our communities. Sometimes it exists in our homes. If you could imagine all of that shifting, all of that hate and fear disappearing, what would the world be like? If you woke up tomorrow and democracy was no longer in crisis what would the world be like? If you left your home a week from now and discovered that white supremacy had been dismantled what would your neighborhood be like? If you went to work a month from now and found that climate change was no longer a crisis what would humanity’s relationship to the planet be like? What can you imagine? What would it look like in family or your home? In your neighborhood? How would people relate to each other? How would people relate to resources and to the planet? In this new vision, what is valued, who is valued and how?
Imagine that the world you dream about has come to fruition. Imagine that the honest world, the fair world, has arrived. Imagine that you encounter it today, after you leave this worship service. When you depart from this sanctuary what do you find outside of the door? As you travel down the street what kind of institutions and resources do you discover? What do they look like? What sort of services are there? What values are the economy based on? As you return to your home, what does it look like? What is your neighborhood like? What kind of activities are going on? How are decisions being made? How is conflict dealt with? Can you think about the rest of the city of Houston? What are other neighborhoods like? What about other cities? What is Dallas like? Or other states or countries? What is California like? Or Poland?
When you are ready, bring yourself back to what is happening in our sanctuary. Hold onto your vision. As you do, I invite you to consider these words from Arundhati Roy, "Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing." Your vision, however, tenuous is part of the better world’s quiet breath.
Today, after you leave this service, I invite you find someone you do not know already and share with them some part of your vision. By speaking it aloud you may just bring it closer to being. By speaking it aloud you might just strengthen your own resolve to work towards creating it.
With that invitation to share your vision in mind, I close our sermon with these of words commission from our tradition:
Go out into the highways and by-ways,
Give the people something of your new vision.
You may possess a small light,
but uncover it, let it shine,
use it in order to bring more light
to the hearts and minds of all people.
Give them not hell, but hope and courage.
May it be so,
Amen and Blessed Be.
Aug 13, 2018
as preached at the First Unitarian Universalist Church of Houston, Museum District campus, August 12, 2018
It is good to be with you this morning. And it is good to be in Houston. The opening words of our sermon come from the Australian pop singer Natalie Imbruglia’s wrenching break-up song “Torn.”
I’m all out of faith.
This is how I feel, I’m cold and I am shamed
Lying naked on the floor.
Perhaps these words sound familiar. Perhaps you have been there yourself. All out of faith, heart sick, dreams ruptured, the once neatly woven fabric of your life torn into jagged pieces that cannot neatly be stitched back together.
Maybe you were there just this morning. And maybe today, somehow, someway, you got up off the floor. You put on your bright yellow summer dress, your favorite black t-shirt and jeans, or your linen coat and tie, and you made it here. I do not your story. But I know this: if we love the world we will be wounded. And if we want to continue to love the world then we must do the work of healing. It is like the words from one of our earlier songs, “every scar I see / A place where love is trying to break in.” Or as the writer Alice Walker put it, “healing begins where the wound was made.”
The title of our sermon is “The Way Forward is with a Broken Heart.” It is inspired by Alice Walker. She wrote a book with the same title. I chose the title to acknowledge that I begin my interim ministry with you following the resignation of your previous senior minister. Some of you might be upset at him, at other members of the congregation, or about all that has passed in the last year within your religious community. I do not know. I am just beginning to learn your stories. But I know this: the health of your congregation depends in part at looking at the ways you have been wounded in the past, at the ways you might have wounded each other in the past, and then collectively engaging in the work of healing. Since healing begins where the wound was made this will require us to be honest with each other about how we have been hurt in the past. It is only by acknowledging the wounds that we experienced, and the pain we feel, that we can begin to find the way forward. And that way forward is with a broken heart.
But then world is heart breaking, is not? How often does your heart break? It seems I encounter something heart breaking almost every day. What about you? I am new to Houston. I arrived about a week ago. Already, I found that homelessness is an endemic problem where I live in Montrose. Just Friday I passed near someone whose story I am sure is heart breaking.
I am unpacking my apartment. And if you are anything like me, part of unpacking is the process of discovering all of things you do not need. Why are there two cuisinarts? Where did Biscuit, our cat, get twelve catnip mice from? Who packed them? How is it that I am still carrying around my tax records from 1999? And so, if you are anything like me, moving always involves trips to the Goodwill.
There I was. Standing in the Goodwill parking lot, convincing the manager that he should take all eight of my old folding bookcases, when a young man pulled up on a bicycle. He was shirtless. He was carrying a backpack. He opened it and took out a half case of beer. He sat down on the asphalt. The manager asked him to leave. He yelled back, “call the cops. I ain’t going anywhere.” Again, he was asked to leave. Again, he yelled, “call the cops.” I do not know how the story ended. The folks from Goodwill graciously accepted my collection of miscellaneous, and mysterious, kitchen implements. And I left with the certain knowledge that whatever happened next would be heart breaking. The police would come and forcibly remove the young man from Goodwill’s property. Or he would leave and spend the day’s heat somewhere else, drinking his way through twelve cans of beer.
Children in cages; endless cruelty to refugees in Europe; the violence of white supremacists in the United States; the rising, building, gathering crisis of climate change; endemic misogyny; the deaths of countless people of color at the hands of the police; uncivil discourse; gloating tyrants; war, war, and war... We only need to turn on the television, look online, or glance in a newspaper to discover things that can break our hearts. It is like Susan Sontag once wrote of the New York Times, “An ample reservoir of stoicism is needed to get through the great newspaper of record each morning, given the likelihood of seeing photographs that could make you cry.”
And yet, amid all of this horror and heart break there is joy and beauty to be found. Maybe not for all us. Maybe not all the time. But it is there: a delicate blue weed flower cracking through the gaps in concrete. The joyous warmth of children. The spaces between dancing salsa beats. Ochre oil clotted on taut canvas. The common tenderness we might share with each other on Sunday morning once the service has ended. I find wisdom in one of the most popular readings in our grey hymnal, Mary Oliver’s “Wild Geese:”
You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the world goes on. I have said little of our private pains. There are the wounds of the world. There are whatever wounds exist in this congregation. And then there are the wounds that we have suffered in our lives. The loss of a parent. The loss of a spouse. The loss of a child. The end of a marriage. Struggles with addiction. Poverty. Bullies for bosses. All of the disappointments and disillusions that cast shadows upon our lives. “Tell me about despair, yours, and I will tell you mine,” writes the poet.
The way forward is with a broken heart, Alice Walker tells us. But is it? I have been cold, shamed, and on the floor. And when I have been it has seemed that there was no way forward at all--heart sick, wounded, whole, or otherwise. What about you? To believe that the way forward is with a broken heart is an act of faith. It is not a rationale claim. It is a statement, sometimes against much evidence, that there is hope yet to be found in the world. And sometimes it seems like we should be all out of faith. And yet... and yet... there is a way forward. The sun in early morn will crack across mountain tops and bring the morrow. Spanish moss will continue to hang from ancient oaks. “Whoever you are, no matter how lonely, the world offers itself to your imagination,” advises Mary Oliver.
The way forward is with a broken heart. Walker wrote the book twenty years after the end of her marriage. It is a thinly fictionalized series of accounts about how she made her way forward after a divorce that left her bewildered, heart sick, and lonely. The world that she thought she was going to create, to build, was forever gone. She is someone now who her young self could never have imagined. In the opening paragraphs, she tells her readers, “You do not talk to me now, a fate I could not have imagined twenty years ago.”
“[A] fate I could not have imagined,” there are few better words that capture loss. Walker’s marriage did not begin with the imagination that it would end in bitter discord, “[y]ou do not talk to me now.” When it begins, few imagine a ministry ending in disappointment. And yet, marriages and ministries both sometimes finish in sorrow.
The way forward is with a broken heart. We continue after life’s disappointments. In Walker’s book she weaves the torn fabric of ruptured lives into healing quilts. In one story, the narrator finds joy in “the woman I love now.” In another, two sisters encounter comfort, peace, and a modicum of delight when they travel back to their family’s old home. In a third, a father and a daughter discover solace in each other after years of difficulty. “[T]he world cannot be healed in abstract,” Walker informs us.
I suspect that if you are like me, you have been wounded in particular ways. I imagine that if this religious community is like other religious communities, it has been wounded in particular ways. It is only by addressing our specific injuries that we can begin to heal from them. And that healing is not something we can do alone, as isolated individuals. It is something that can only be accomplished together. “Tell me about despair, yours, and I will tell you mine,” counsels Mary Oliver.
The way forward is with a broken heart. Learning how to make our way forward, yours and mine, with a broken heart is deeply religious work. It might even be the central task of the religious community. There are few other places in our lives where we can be honest about despair. Again, and again, I have learned this during my ministry. The newcomer who tells me he’s visiting the church because his parents have just died. The transgender woman who shares that after years of alienation she has finally found a religious tradition that will love her without exception. The refugee who speaks almost no English and needs a place where she does not feel alone on a Sunday morning. A religious community like this one must be a place of love and healing.
That is the message our Universalist religious ancestors gave us to give the world. They said we were the church of “God’s love unlimited.” God’s love unlimited. No matter who you are, no matter the depths of your despair, no matter who you love, as members of this faith community we are called to love each other, to love the world, to face despair, and to collectively find our way forward with broken hearts.
This is deeply religious work. It requires the faith that somehow, someway, love will find us when we are shamed and on the floor. And that faith is not always easy to find. Sometimes it seems we cannot find it at all. But it is there, in the midst of heart sickness. There is always the possibility that we can learn to love again, that we can be gentle enough with each other to commit to the loving work of healing. There is always the chance that we can find a way forward.
Early Christianity was organized around finding a way forward with a broken heart. It began as a religious movement of those who continued after the heart-breaking loss of their beloved rabbi Jesus. Our second reading, the Epistula Apostolorum, was offered to remind us of this. It is a heretical text from the early second century of the Common Era. In it, the members of the early Christian church try to move forward after almost unimaginable disappointment. They had experienced great love in the person of their teacher. They had hoped for divine justice in the face of cruel empire. And their love and hope had ended in their leader’s death.
They reminded each other that love remained. They urged the members of their community to follow their master’s teaching: “But look, a new commandment I give you, that you love one another and obey each other and (that) continual peace reign among you. Love your enemies, and what you do not want done to you, that do to no one else.” They believed that if they had faith, somehow, someway, they could learn to love again. And through their love, they knew, they could heal each other and the world.
Let us forget for today that their message somehow became confused by the theologically orthodox over the centuries. Instead, let us hear in the words of the Epistula Apostolorum the expression of the church of God’s love unlimited. The theistic language may not resonate with you. Even if you need to translate it, I hope you will feel the transformative, healing, vision of love captured in those ancient words. They plead with us to find a forward way with a broken heart.
All this morning, I have suggested that the way forward is with a broken heart. I have invoked Walker’s wisdom, “healing begins where the wound was made.” But I have said almost nothing of the work of healing. It is early yet. I do not know your stories. All I know is that whatever healing work must be done, in our lives, in this religious community, and in our beautiful, fractured, world, is work that we are called to do together.
I am here, during this interim time, to do that work with you as best I can. During this transitional moment in your congregation’s life I promise to be as tender with you as I can. I will as honest with you about the wounds in your congregation, and in the world, as I can. I will be as honest with you about my own struggles and wounds as is appropriate. Throughout this period, I pledge to love you as best I can. I only ask that you have the merest glimmer of faith that whatever wounds there are in your lives, in this congregation, and in our luminous world we can find a way forward with broken hearts.
That it may be so, I invite you to join me in that spirit that some call prayer and others call meditation:
Oh, great spirit of love,
that some of us name God,
and others call the goodness to be found
in human life,
or name not at all,
be with me,
be with this congregation,
its members and friends,
its children and elders,
and all the people of this religious community,
as we engage in the work of healing
There is so much pain,
so much hurt,
to be found,
addiction, disappointment, war, loss,
None of us need suffer alone when we remember
that love can heal.
Let us remember that each human
is born with a beating heart
and the capacity to love.
Let us learn to awaken
that love within
and reach out to each other
so that we might heal each other
and this glorious world.
So that we may do good work together,
let the congregation say Amen.