Sep 3, 2019
as preached at the First Unitarian Universalist Church of Houston, Museum District campus, August 25, 2019
When I was a kid, maybe in second grade, I was given a homework assignment. I was told to make a diorama of the water cycle. How many of you have had a similar assignment at some point in your schooling? It is a pretty familiar one.
I proceeded with it as instructed. I got some blue paint. I got some green paint. I got some brown paint and white paint. I got some glue and some little cotton balls. I got some construction paper. And I got a shoebox and set to work.
Well, actually, my mother and I got to work. Remember, I was seven or eight years old. I do not know about you but when I was that age homework really meant work, I did with my parents, at home.
Like most seven-year-olds, I was probably cranky towards and a bit unkind to my mother as she helped me assemble my diorama. I may have even resented her for making me do my homework assignment. Whatever the case, over the course of a week or so we transformed a plain shoebox into a model of the water cycle.
There was a large blue body of water--probably Lake Michigan since we lived near the Great Lakes. Water evaporated from it and then condensed into clouds--little fluffy cotton balls. After the clouds came precipitation. I almost certainly had fun portraying a grand thunderstorm with lighting and torrents of rain striking the Earth. From there, I showed how water flowed over the green and brown ground--painted in solid unmixed colors straight from the tube--into the rivers and then back into the lake.
There were a lot of things that my diorama did not show. It did not show the sublimation process. That is the process whereby ice converts directly into water vapor without converting into liquid water first. This mostly happens over the polar ice sheets.
My diorama also did not show transpiration. That is the process where plants absorb water from the soil and then push it out through their leaves as water vapor. Nor did it show infiltration. That is when water neither evaporates from the source, nor flows into a river, nor is absorbed by a plant, but moves deep into the soil. It seeps down and increases the ground water table.
Remember, this was second grade. Such concepts are a bit complicated for most seven-year-olds. I may not even be doing a good job of describing them now. Whatever the case, my diorama did not show other things. One of its most glaring omissions was its attribution. I claimed sole credit for its construction. Painted on the back of the shoebox were the words “by Colin Bossen.” A more honest attribution would have been, “by Colin Bossen and his mother Kathy Bossen, who by turns, assisted, cajoled, and threatened him until he completed it to her satisfaction.”
It also completely omitted the processes by which most humans get water. The majority of us do not get it directly from the lake, from the clouds, or from the ground water table. We have a complicated infrastructure of water treatment plants and sewer systems that transport clean water to our homes. And we have drains, toilets, and pipes that remove dirty water from them.
This summer, I found myself thinking about my second-grade water diorama, and all the things it omitted, when I was in Arles. Arles is a small city in the South of France. It is might be most famous for being the place where Vincent Van Gogh spent a year painting. His canvases of his time there include his famous bedroom with its blue walls, blue clothes, blue pitchers, blue doors, yellow bed, yellow chairs, and rich, textured, wooden floor. They include glowing night scenes, a cafe along cobblestones, with wooden chairs and crowds sipping cognac, coffee, absinthe, wine, or, well who knows, as adults and children stroll into the darkness. And they include well known images of Arles fading Roman ruins.
The heart of Arles remains the old Roman city. The Colosseum and the Amphitheater are still in regular use. They are surrounded by mazing Medieval streets, dense clusters of stone buildings bursting out into plazas and squares and interrupted by flowers hanging from balconies or in plentiful pots right outside two-hundred-year-old doors.
Arles also remains a city of the arts. It is the site of one of the world’s largest photography festivals. You might know that my father is a historian of photography and museum curator. My parents travel to Arles every couple of years to take part in the festival. This year, my son and I joined them.
It is an amazing festival. The exhibitions are generally located in medieval buildings that have been temporarily converted into art galleries. And it was in one of these--a fifteenth century Gothic church--that I found myself thinking about my water diorama. More accurately, I found myself thinking about the things that my diorama omitted.
The church has massive vaulted ceilings. It is made of stone. It has elegant arches. It is spacious and seems to go on and on. Inside of it was a huge exhibition of the work of the French photographer Philippe Chancel called Datazone. It was a terrifying collection of photographs. Chancel has spent the last several years traveling the world photographing sites of catastrophe. He describes his subjects as “traumatized ecology, chaotic deindustrialization, and the toxicity of modernization.”
He takes photographs of collapsed houses and abandoned factories. He takes photographs of piles of rubbish--mountains of plastic bottles and rusting iron. He takes photographs of tankers that have been run to ground. Their steel and valuable components are being stripped and recycled by workers who labor without any safety equipment.
Many of his photographs of water. They do not depict the clean water of the water cycle--the clouds and lakes that my diorama inelegantly displayed. Instead, they portray all of the omissions from the diorama. Water in Africa that has been rendered toxic after being used in oil extraction. Water filled with chemicals, glistening, thick, and black rather than transparent. Water in Flint that is filled with lead and rendered undrinkable. Water that has been packaged and sold in plastic bottles. These plastic bottles return to the waterways and pollute them--creating masses of floating plastic islands and then slowly dissolve. As they do, they place tiny pieces of plastic particulate in the world’s water supply. Water in Antarctica. Beautiful, luminous, floating clumps of ice. Massive, white fading into blue, crystal layer upon layer. Objects almost too gorgeous to imagine. Icebergs created by our warming planet as glaciers calve into the ocean. Not a sign of a healthy planet but a sign of a planet in distress.
In that building, created so that a congregation might gather and worship the most high, might connect with something or someone greater than itself, Philippe Chancel portrayed how humans have become disconnected. He showed how we have become disconnected from water and disconnected from each other. He showed the danger of forgetting, of omitting, the fullness of the water cycle. Clouds form over the polar ice caps. We need them to survive. Water travels through the Earth. Chemicals placed in the Earth will mix with water. We need clean, unpolluted, water to survive. He showed the danger of forgetting that we are dependent upon a human built infrastructure to have safe water in our homes. Flint does not have safe water. Newark does not have safe water. We have forgotten that we are dependent upon our collective infrastructure and we are destroying our cities. We need infrastructure to survive.
When I envision my second-grade diorama now I think about all of things it omitted. Each thing absent could have taught me a lesson. If my mother’s signature had been on the work it would have reminded me that I am always part of, connected to, the larger human family. My work, my accomplishments, are dependent on the work of others. None of us are in this world alone. If human infrastructure had been present, I would have been reminded that we are connected to, dependent upon, things like sewers and water treatment plants for our survival. We need them to live. And if the water table had been present, I might have been reminded that our collective human actions impact water, that our actions, for good or for ill, connect us to the whole of the planet.
And, this Sunday, this water communion, as we gather as religious community for the start of our liturgical year, as we mingle our waters, let us remember that we connected and dependent. We are connected to and dependent upon the larger human community. We are connected to and dependent upon the infrastructure we have built to bring us safe water. And we are connected to and dependent upon the planet, with its mass of water that gives us life.
There is always a larger truth. We are not alone. We are part of something greater, more beautiful, more complicated, and, yes, more fragile, than we can imagine.
Let us remember this truth, now, and always.
That it might be so, I invite the congregation to say Amen.
Apr 23, 2019
as preached at the First Unitarian Universalist Church of Houston, Museum District campus, April 21, 2019
Happy Easter! It is good to be with you. Holiday services like these always bring together a special congregation. Some of you are visiting for the first time, seeking a religious community. Some of you have come with friends or family, enjoying the sense of connection and fellowship that holidays offer us. Some of you attend our services only occasionally. You are probably here so you can be with your church on this special day. And some of you worship at First Church most Sundays. Whatever brought you here to this beautiful brick sanctuary, I want to extend pause and say welcome.
Since it is Easter, I thought I better talk with you about Jesus. Specifically, I thought I should give you a sense of how Unitarians have historically approached Jesus. For generations, we have focused on his life and teachings rather than his death on the cross. This year is the two hundredth anniversary of William Ellery Channing’s sermon “Unitarian Christianity.” It was preached in Baltimore, Maryland in 1819. It was the text that crystalized Unitarianism into a definitive theological position in the United States and prompted the formation of the American Unitarian Association, one of the forerunners of our Unitarian Universalist Association.
In his sermon, and I apologize for the dated language, Channing made the claim that Jesus’s mission was “the recovery of men to virtue, or holiness.” He further proclaimed “the doctrine of God’s unity.” In this unity God had “infinite perfection and dominion.” Channing maintained that Jesus was “a being distinct from the one God.” He was, in Channing’s words, someone who had a “human mind” whose death on the cross was “real and entire.” In essence, Channing claimed that Jesus was a man who taught that within each of us resides holiness. This holiness connects us to God. The purpose of religion, in this classic Unitarian view, is to awaken in us this sense of holiness and bring us closer to the divine.
This morning I am not going to offer you a recitation or exegesis of Channing’s sermon on “Unitarian Christianity.” Nor am I going to provide you discourse on its historical significance. Instead, I am going to give you a sermon that captures something of the essence of Channing’s theology. Whether we take it literally or metaphorical it contains within it revolutionary and transformative power.
Our sermon has three movements: the infinity of God, the humanity of Jesus, and the divinity within. Before we dive in, I thought I would give you a part. At the conclusion of each movement I invite you to say, “Hallelujah.”
A few weeks ago, I shared that “Hallelujah” is a Hebrew word. It roughly translates to, “Praise God.” I know that this is a sentiment that makes some of us uncomfortable. Allow me to suggest, just for this morning, that if you are a humanist, as I am, we agree to greet the word God as a symbol. The Unitarian Universalist theologian Forrest Church said, “God is not God’s name. God is our name for that which is greater than all and yet present in each. Call it what you will: spirit, ground of being, life itself.” So, when we say, “Hallelujah” let us think of ourselves praising any or all of those things. Praise God, “Hallelujah.” Praise the ground of being, “Hallelujah.” Praise life itself, “Hallelujah.”
Can I get a “Hallelujah”?
The Infinity of God
In the ninetieth Psalm of the Hebrew Bible we find Moses pray:
O Lord, You have been our refuge in every generation.
Before the mountains came into being,
before You brought forth the earth and the world,
from eternity to eternity You are God.
In the Hindu scripture the Bhagavad Gita we discover generous descriptions of the divine:
You are without beginning, middle, or end;
you touch everything with your infinite power.
The sun and moon are your eyes, and your mouth
is fire; your radiance warms the cosmos.
O Lord, your presence fills the heavens and
the earth and reaches in every direction.
In the Quran we read:
...If the ocean were
Ink (wherewith to write out)
The words of my Lod.
Sooner would the ocean be
Exhausted than would the words
Of my Lord...
I might continue and point you to words in the Tao Te Ching or from the Buddha or from some indigenous traditions. Whatever we choose, there are numerous texts that teach, as the fourteenth-century theologian Jan Van Ruysbroeck wrote, “God is immeasurable and incomprehensible, unattainable and unfathomable.”
God is infinite. Infinity is a difficult concept to grasp. One, two, three, four, five, six, seven... I could keep counting for the entirety of this sermon and never approach infinity.
The British science fiction writer Douglas Adams offered a humorous approach to infinity in his book The Restaurant at the End of the Universe. The book is part of a series called the Hitchhikers Guide to the Galaxy in which the characters wander across space and time. Finite beings in an infinite universe, they struggle to understand their places in the great misorder of things. Fortunately, they have the Hitchhikers Guide to the Galaxy to help them. It is Wikipedia if the editors of Wikipedia had a sense of humor. It is also a physical object with “the words Don’t Panic inscribed in large friendly letters on its cover.” Peering into the text Adams’s characters find this description of infinity: “Infinity is just so big that, by comparison, bigness itself look really titchy. Gigantic multiplied by colossal multiplied by staggeringly huge is the sort of concept we’re trying to get across here.”
The German mathematician David Hilbert attempted to explain infinity with his infinite hotel paradox. A hotel, we all know, has a finite number of rooms. If you have tried to book a popular destination for a holiday you may have discovered this. Maybe you have even been in the situation where the place you wanted to stay ran out of rooms before you managed to secure your vacation.
Relax, Hilbert said, we can avoid this problem. We just need to build an infinite hotel. In the infinite hotel there will be infinite rooms. When you call up the hotel you might discover that it is already full of guests. “No matter,” the manager will tell you. “Whenever a new guest arrives we ask each guest to move to a new room. The guest in room 1 moves to room 2. The guest in room 2 moves to room 3, and so on. There is always room in the infinite hotel. Because we have infinitely many rooms there is space at the end--even if we already have infinite guests--because infinity goes on forever.”
All of this is obtuse, difficult to understand, maybe a little ponderous and opaque, and, quite possibly, impractical. This is, however, actually the message of this part of the sermon. God is infinite. God is beyond human comprehension. Do such statements, such texts, resonate with your experience?
They resonate with mine. Here is a thing that has happened to me, again and again. I have found myself along the edge of the ocean, at night, wandering the shoreline--that place where the water crashes into the sand. The wind lilts, a soft sound above the rhythmic rush of the tide. My feet are just a little damp, my flesh slightly chill. I look across the waves. They seem to go on without end, white foam crests upon white foam crests upon white foam crests. I look up at the sky, a starry night--not unlike Van Gogh’s luminous swirls and textured white yellow orbs. There is the Milky Way--a thick pointilated band. There is Orion--three stars for a belt, two stars for feet, and three for shoulders and a head. Suddenly, something in me shifts, and I feel conscious of my own temporary smallness among the infinite sea of stars and the ocean that appears to go on forever and forever. The universe feels infinite while I do not.
Can I get a “Hallelujah?”
The Humanity of Jesus
It is the infinity of God which brings us to the humanity of Jesus. It is a challenge to relate to the infinity of God. The theologian Karl Barth observed, “no... concept can really conceive the nature of God. God is inconceivable.” Throughout human history many people and many cultures have anthropomorphized the divine--they have made it human--in an attempt to understand it. This is what Trinitarian Christians have done. They have collapsed the infinity of God into the particularity of a human life in an effort to understand the unfathomable. In the Trinitarian Christian story, we come to know the infinite God through the finite Jesus who is the infinite God enfleshed.
In our Unitarian tradition we tell stories about Jesus in which he was a man who came to teach us about an infinite God. Jesus was not uniquely the incarnate God. He taught that God dwells inside each of us. The path to the infinite is found by looking within. Channing called this “the likeness to God.” Jesus was special because he had realized the likeness to God inside of him--the connection to holiness that is available to all of us. By awakening this holiness Jesus was able, in Channing’s words, to share with the world the “unborrowed, underived, and unchangeable love” of the divine that resides within waiting to be stirred.
In the Trinitarian tradition, Jesus is God. A man who taught about God becomes God. Channing said, “No error seems to us more pernicious.” The path to spiritual awakening that Jesus lays out for us in the Christian New Testament is lost in a fog when Jesus is equated with God. Those who turn Jesus into God frequently miss the significance of his life and instead focus on his death. They claim that there is redemption to be found in state sanctioned torture--for that is what the crucifixion was--rather than in a life devoted to sharing the transformative power of love. They believe Jesus died on the cross to save all humans from sin and that this was the whole meaning of his life. Such a narrative Channing rejected “as unscriptural and absurd.”
Early Unitarians like Channing found the teachings of Jesus in his parables and sayings. They shared the importance of his lessons in their writings and in their art. The death of Jesus was not that important to them. If you visit a Unitarian church built prior to the early twentieth century you are likely to find the depiction of one of Jesus’s parables in the congregation’s stained glass. The famous Tiffany windows of Boston’s Arlington Street Church contain not a single depiction of Jesus on the cross.
Like those early Unitarians, I have a fondness for the sayings and parables of Jesus. My favorite is found in Luke 17:20-21. There he is asked, “‘When will the kingdom of God come?’ He answered, ‘You cannot tell by observation when the kingdom of God comes. You cannot say, ‘Look, here it is,’ or ‘There it is!’ For the kingdom of God is among you!’”
It is a really radical saying. At least, it is if we understand Jesus to be a human being rather than a God. A learned man of the people, a carpenter, a spiritual teacher, in the Christian New Testament we find him mingling with prostitutes and tax collectors. He touches lepers. He travels with the common working people. He visits the most marginalized. He tells them that the kingdom of God is found among them. It is not found among the rich and powerful. To them Jesus says, “it is easier for a camel to pass through the eye of a needle than for a rich man to enter the kingdom of God.” The connection between the infinite and the human, he suggested, resides primarily among the fishermen and the peasants, the despised and the outcast.
Think about it. This human man, this person born of a human mother and who died a human death, had a unique connection, a unique understanding, of the holiness within. And he taught that holiness is most present among those whose struggle is greatest day-to-day. That, Jesus seemed to teach, is where the kingdom of God is to be found. It is not present in the evangelical church that celebrates a gospel of wealth and prosperity. It is not present with the ministers who proclaim the righteousness of their nation. It might not even be present in this sanctuary today. But it is found among those who come together and little by little work, struggle, and imagine a new way.
Another parable, Luke 13:18-19: “‘What is the kingdom of God like?’ he continued. ‘To what shall I compare it? It is like a mustard seed which a man took and sowed in his garden; and it grew to be a tree and the birds came to roost among its branches.’”
Here the kingdom of God begins by accident, by mistake. A man sows a mustard seed, anticipates a mustard plant--an annual that seeds and then perishes. Instead, a tree sprouts--an enduring majesty that lasts beyond the span of a human life. Birds come bringing song and plumed beauty. A man sows a mustard seed and from it comes so much. The smallest action, the littlest kindness, Jesus wished to teach, contains within it the possibility of great transformation. The smallest thing, perhaps, can blossom into the infinite.
The kingdom of God is among us. It is a human opening to the divine. We uncover it through acts of love, small and great.
Can I get a “Hallelujah?”
The Divinity Within
This human Jesus taught that we contain within us the likeness to God. We contemporary Unitarian Universalists have rephrased in more humanistic language by claiming that every human being has inherent worth and dignity. It is radical stuff. It means that the likeness to God is to be found within the migrant children and refugees who suffer at our borders. And it means that it found within the people who put them there. The challenge of religion is to awaken the likeness within each of us.
But more than that. The challenge today is even greater than awakening the likeness to God that resides within each of us. It is to recognize that the divinity within connects us to the divinity without. It is to stand on the seashore gaze up at the night sky and see ourselves a part of the great infinity that surrounds us. When we open ourselves thus--when we connect the divinity within to the divinity without--we find ourselves among the kingdom of God. We find that kingdom is here on this Earth, not in some distant heaven.
On this Sunday before Earth Day we are called to recognize that this is the only planet we have got. The kingdom of God, whatever it is, is among you. It is among the live oaks and sea shells. It is among the sunshine and the soft rain. Whatever holiness lies within it involves connecting to the glorious natural world of which we are a part--not subjugating it but learning to live in kinship with it. If we fail to confront the collectively created disaster of climate change then we are discovering the kingdom of God which is among us. Human life is not sustainable. Without course correction there will be no kingdom of God to be found anywhere upon this good green Earth.
This is why we gather--to open our connection to the planet’s beauty; to understand our dependence upon the soil, the sun, and the rain; to work to lead each other to better lives; to stir the holiness within. That is what Channing taught. And it is something I believe. His sermon “Unitarian Christianity” was not an Easter sermon. It was an ordination sermon, preached upon the occasion of the ordination of Jared Sparks into the ministry. Channing took for his text a fragment of a line from Paul’s First Epistle to the Thessalonians: “Prove all things; hold fast that which is good.”
In his closing he said, “Do not, brethren, shrink from the duty of searching God’s Word for yourselves.” He was certain that if we did, we would discover that Jesus taught us how to find the spark of the divine within--the spark that leaps from each to each and connects one to the all. He was also certain that it was task of the religious community to awaken the spark that resides inside all of us. Seek proof of such a spark within the text of your own lives.
In my closing to you, I invoke the poet Thylias Moss. Her poem “Fullness” speaks to me of Unitarian Christianity. Reflecting on the ritual of the Eucharist, a ritual meant to commemorate the life of Jesus, she writes:
...You will be the miracle.
You will feed yourself five thousand times.
Can I get a “Hallelujah?”