Sep 3, 2019
as preached at the First Unitarian Universalist Church of Houston, Museum District campus, August 25, 2019
When I was a kid, maybe in second grade, I was given a homework assignment. I was told to make a diorama of the water cycle. How many of you have had a similar assignment at some point in your schooling? It is a pretty familiar one.
I proceeded with it as instructed. I got some blue paint. I got some green paint. I got some brown paint and white paint. I got some glue and some little cotton balls. I got some construction paper. And I got a shoebox and set to work.
Well, actually, my mother and I got to work. Remember, I was seven or eight years old. I do not know about you but when I was that age homework really meant work, I did with my parents, at home.
Like most seven-year-olds, I was probably cranky towards and a bit unkind to my mother as she helped me assemble my diorama. I may have even resented her for making me do my homework assignment. Whatever the case, over the course of a week or so we transformed a plain shoebox into a model of the water cycle.
There was a large blue body of water--probably Lake Michigan since we lived near the Great Lakes. Water evaporated from it and then condensed into clouds--little fluffy cotton balls. After the clouds came precipitation. I almost certainly had fun portraying a grand thunderstorm with lighting and torrents of rain striking the Earth. From there, I showed how water flowed over the green and brown ground--painted in solid unmixed colors straight from the tube--into the rivers and then back into the lake.
There were a lot of things that my diorama did not show. It did not show the sublimation process. That is the process whereby ice converts directly into water vapor without converting into liquid water first. This mostly happens over the polar ice sheets.
My diorama also did not show transpiration. That is the process where plants absorb water from the soil and then push it out through their leaves as water vapor. Nor did it show infiltration. That is when water neither evaporates from the source, nor flows into a river, nor is absorbed by a plant, but moves deep into the soil. It seeps down and increases the ground water table.
Remember, this was second grade. Such concepts are a bit complicated for most seven-year-olds. I may not even be doing a good job of describing them now. Whatever the case, my diorama did not show other things. One of its most glaring omissions was its attribution. I claimed sole credit for its construction. Painted on the back of the shoebox were the words “by Colin Bossen.” A more honest attribution would have been, “by Colin Bossen and his mother Kathy Bossen, who by turns, assisted, cajoled, and threatened him until he completed it to her satisfaction.”
It also completely omitted the processes by which most humans get water. The majority of us do not get it directly from the lake, from the clouds, or from the ground water table. We have a complicated infrastructure of water treatment plants and sewer systems that transport clean water to our homes. And we have drains, toilets, and pipes that remove dirty water from them.
This summer, I found myself thinking about my second-grade water diorama, and all the things it omitted, when I was in Arles. Arles is a small city in the South of France. It is might be most famous for being the place where Vincent Van Gogh spent a year painting. His canvases of his time there include his famous bedroom with its blue walls, blue clothes, blue pitchers, blue doors, yellow bed, yellow chairs, and rich, textured, wooden floor. They include glowing night scenes, a cafe along cobblestones, with wooden chairs and crowds sipping cognac, coffee, absinthe, wine, or, well who knows, as adults and children stroll into the darkness. And they include well known images of Arles fading Roman ruins.
The heart of Arles remains the old Roman city. The Colosseum and the Amphitheater are still in regular use. They are surrounded by mazing Medieval streets, dense clusters of stone buildings bursting out into plazas and squares and interrupted by flowers hanging from balconies or in plentiful pots right outside two-hundred-year-old doors.
Arles also remains a city of the arts. It is the site of one of the world’s largest photography festivals. You might know that my father is a historian of photography and museum curator. My parents travel to Arles every couple of years to take part in the festival. This year, my son and I joined them.
It is an amazing festival. The exhibitions are generally located in medieval buildings that have been temporarily converted into art galleries. And it was in one of these--a fifteenth century Gothic church--that I found myself thinking about my water diorama. More accurately, I found myself thinking about the things that my diorama omitted.
The church has massive vaulted ceilings. It is made of stone. It has elegant arches. It is spacious and seems to go on and on. Inside of it was a huge exhibition of the work of the French photographer Philippe Chancel called Datazone. It was a terrifying collection of photographs. Chancel has spent the last several years traveling the world photographing sites of catastrophe. He describes his subjects as “traumatized ecology, chaotic deindustrialization, and the toxicity of modernization.”
He takes photographs of collapsed houses and abandoned factories. He takes photographs of piles of rubbish--mountains of plastic bottles and rusting iron. He takes photographs of tankers that have been run to ground. Their steel and valuable components are being stripped and recycled by workers who labor without any safety equipment.
Many of his photographs of water. They do not depict the clean water of the water cycle--the clouds and lakes that my diorama inelegantly displayed. Instead, they portray all of the omissions from the diorama. Water in Africa that has been rendered toxic after being used in oil extraction. Water filled with chemicals, glistening, thick, and black rather than transparent. Water in Flint that is filled with lead and rendered undrinkable. Water that has been packaged and sold in plastic bottles. These plastic bottles return to the waterways and pollute them--creating masses of floating plastic islands and then slowly dissolve. As they do, they place tiny pieces of plastic particulate in the world’s water supply. Water in Antarctica. Beautiful, luminous, floating clumps of ice. Massive, white fading into blue, crystal layer upon layer. Objects almost too gorgeous to imagine. Icebergs created by our warming planet as glaciers calve into the ocean. Not a sign of a healthy planet but a sign of a planet in distress.
In that building, created so that a congregation might gather and worship the most high, might connect with something or someone greater than itself, Philippe Chancel portrayed how humans have become disconnected. He showed how we have become disconnected from water and disconnected from each other. He showed the danger of forgetting, of omitting, the fullness of the water cycle. Clouds form over the polar ice caps. We need them to survive. Water travels through the Earth. Chemicals placed in the Earth will mix with water. We need clean, unpolluted, water to survive. He showed the danger of forgetting that we are dependent upon a human built infrastructure to have safe water in our homes. Flint does not have safe water. Newark does not have safe water. We have forgotten that we are dependent upon our collective infrastructure and we are destroying our cities. We need infrastructure to survive.
When I envision my second-grade diorama now I think about all of things it omitted. Each thing absent could have taught me a lesson. If my mother’s signature had been on the work it would have reminded me that I am always part of, connected to, the larger human family. My work, my accomplishments, are dependent on the work of others. None of us are in this world alone. If human infrastructure had been present, I would have been reminded that we are connected to, dependent upon, things like sewers and water treatment plants for our survival. We need them to live. And if the water table had been present, I might have been reminded that our collective human actions impact water, that our actions, for good or for ill, connect us to the whole of the planet.
And, this Sunday, this water communion, as we gather as religious community for the start of our liturgical year, as we mingle our waters, let us remember that we connected and dependent. We are connected to and dependent upon the larger human community. We are connected to and dependent upon the infrastructure we have built to bring us safe water. And we are connected to and dependent upon the planet, with its mass of water that gives us life.
There is always a larger truth. We are not alone. We are part of something greater, more beautiful, more complicated, and, yes, more fragile, than we can imagine.
Let us remember this truth, now, and always.
That it might be so, I invite the congregation to say Amen.
Aug 30, 2019
Several people asked me for the text of last Sunday’s “Blessing of the Backpacks.” Here it is:
Tomorrow thousands of children from across Houston will return to school. Today, we bless the children and youth from our community as they start the school year. And so, at this time, I would like to invite all of the children who are starting, or have started, their school year to come forward. Whether you are entering kindergarten or starting your senior year, whether you go to public school, private school, or are homeschooled, I hope you will come up at this time. I would like to especially invite forward our middle school and high school youth. If you brought your backpack or bag, please bring it with you. And if you did not bring it, come up anyway.
Please have a seat. Carol is giving you each a card that you can place in your backpack, tie to its outside, or use as a bookmark. It is a thing to remind you of this church and the love that people here have for you while you are in school.
You will see three symbols on your card. There is a peace sign, a love sign, and a chalice. Each of these symbols represents a wish that we have for your school year. We want you to have a safe and peaceful year. School should be a place where you can learn and grow without having to worry about harm. And so, there is a peace sign.
The heart represents love. Throughout the year, we want you to know that you are loved by this community. One of the wonderful things about belonging to a church is that adults other than your parents, family, and teachers care about you and want you to succeed. And so, this year, if you are struggling with school, and want someone to help you, know that there is an adult in this church who you can go to and ask for help.
The chalice represents two things. It represents our Unitarian Universalist church and it represents the light of truth. In school we want you to learn and grow so that you can be thoughtful, wise, and knowledgeable adults. We want this because seeking truth is at the core of our Unitarian Universalist faith.
I invite you to join me in a brief prayer,
please close your eyes,
if you are comfortable,
reach out to grab the hand of someone near you.
Oh, spirit of life,
that some of us call God,
and others of know by a diversity of names,
be with the children of this church,
and all of the children of our city,
as they start their new school year.
Bless them with safety,
bless them with love,
bless them with knowledge,
and bless them with curiosity.
And let them leave this chancel,
knowing that they are held by the love
of this religious community
during the school year,
and throughout the days of their lives.
Let the congregation say Amen.
Aug 20, 2019
This year during my vacation in England and France I published almost daily blog posts. My writing was experiment to see if I could maintain a regular posting schedule. I also wanted to create a record of the trip. I went with my parents and son. I am not sure how many more long trips we will be able to take together and I thought it would be nice to have a travel log.
Over the month, I wrote four sets of posts. Each set was composed in one of the places where we were staying: Arles, Paris, Sers, and London. My posts tended to fall into four general, often overlapping, themes. I wrote about art, food, places, and politics. My favorite posts about art revolved around family friends Markéta Luskačová and Libuse Jarcovjakova. I summarized the restaurants we visited with posts about places to eat in London and Paris and paid tribute to Cadenheads in London. I wrote about the streets of Arles, Parc de la Villette in Paris, Chateau d’If off the coast of Marseille, the fascinating Château de La Rochefoucauld, and the disgust I felt at Versailles. I composed a meditation on the relation between fashion and politics as walked the Rue de Turenne and I met with a retired professor of political science, a journalist, and some anarchists to discuss the state of French politics. And I offered some pastoral words in the wake of a wave of mass shootings in the United States.
If the object was create a travel log that I will use to remember the trip, my blogging was absolutely a success. The same can be said if the objective was to increase the traffic to my blog. It roughly doubled over the course of the time that I kept the blog. The five posts that generated the most traffic were: Rue de Turenne (or some thoughts on champagne socialism); Reflecting on the Mass Shootings in Dayton, El Paso, Gilroy, and Southhaven from London; Château de La Rochefoucauld; It is the Job of the Far Left to Organize the Margins; and Europe 2019.
Composing a daily blog was a time consuming labor. It took me between 30 minutes and an hour and a half each day. It is not something that I will be continuing now that I am back in Houston. Instead, my blog will largely return to being a place for me to publish the texts of my sermons, letters to the congregation I serve, and announcements about upcoming events. On occasion, I will post other things but for the moment I will be focusing my non-sermon related writing on my scholarship.
Aug 19, 2019
as preached August 11, 2019 at the First Unitarian Universalist Church of Houston, Museum District campus
We have just rung our church bell twenty-one times. Mallet has struck metal for each of the “twenty and odd” Africans who arrived at Point Comfort, Virginia in late August 1619. Their arrival was a pivotal moment in this country’s history. African Americans have provided this country with its some of its foremost artists, religious leaders, philosophers, politicians, and scientists. African American culture has given the United States, and the world, powerful and popular musical traditions that shaped global culture: the blues, jazz, hip-hop, house and techno, rock ‘n roll, and soul. And African Americans have again and again pushed this country to be a land of freedom and equality rather than a land of slavery and injustice.
The Africans who arrived in Virginia were kidnapped by English pirates from a Spanish slave ship originally destined for the Caribbean. At least a few of the names given to them by their kidnappers were recorded. There was a woman called Angelo and a couple called Antonio and Isabella. They were the parents of William, the first African American born in the English colonies. He was born free. Slavery did not become hereditary until later.
Angelo, Antonio, and Isabella, and the others who arrived with them were natives of West Central Africa. They arrived on an English ship called the White Lion. The ship’s crew is believed to have traded them for food and supplies. They were the first Africans to be brought to English North America. And their arrival marks the beginning of chattel slavery in the colony of Virginia.
1619. It is a year that is just as foundational to the United States of America as 1776. The two years represent the contradiction that lies at the heart of the country. From its very inception, the United States of America has proclaimed itself “the land of the free.” From its very inception, the United States of America been built upon unfreedom. It is like the late Toni Morrison observed, “the presence of the unfree [lies] within the heart of the democratic experiment.” Unfreedom has, from its point of origin, warped the very idea of freedom. To build one person’s freedom on another person’s slavery is to turn freedom itself into a lie.
I have a friend who has a joke about this. He says, “Whenever white folks start talking about freedom, I start to look around to see what, or who, they are trying to steal.” Often freedom for people who believe themselves to be white has come at the expense of everyone else. And just as often, African Americans have proclaimed that freedom is either for everyone or no one. It is like Martin King observed, “Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly affects all indirectly.”
This contradiction between freedom and unfreedom has led slavery to be called America’s original sin. Unitarian Universalists, as I said last week, could use a more robust understanding of sin. And theological language is illuminating when we attempt to understand the legacy of slavery.
Sin can be understood as estrangement. Estrangement is a form of separation in which there are, at a minimum, unfriendly feelings between the estranged parties. It is the mission of religion to help us overcome sin. Sin, I am suggesting, is not a cosmic thing, a metaphysical reality. It is something to be found in our human relations (and in our relations with the planet). When I speak of slavery as a sin, I am speaking of a pattern of estrangement that was actualized in the material conditions of people’s lives. The institution of slavery was a set of behaviors, and set of beliefs, that enabled people who believed themselves to be white to imagine other human beings as primarily tools and instruments for producing wealth. When an enslaver looked at someone they had enslaved they did not see the pain in the eyes of another human being. They did not see another being whose purpose in life was to love and laugh, imagine and create. They imagined they saw someone who existed to serve them, who existed to be exploited to build wealth. In their crass imagining the enslavers estranged themselves from their own humanity. In their fierce resistance those who had been enslaved proclaimed theirs.
Sin is overcome by practicing and preaching love. For if sin is estrangement then salvation might be understood as a coming back together, a reunification. And the impulse that brings us back together, and that binds us back together, is love. I am not speaking of romantic love. Instead, I refer to what in the Christian lexicon is called agape--goodwill towards all; the desire that all humans can be free. Salvation, the overcoming of estrangement, then should be understood as basing our lives, and our society, upon a love that honors all human beings.
Sin and salvation, freedom and unfreedom, all of these have a distinctly earthly flavor. Our Unitarian Universalist tradition teaches us not to look for salvation in the next world but to see it in this one. It teaches that sin is not a cosmic thing, a metaphysical reality, but something found in human relations. This is why the Universalist lay leader Fannie Barrier Williams said, “I dare not to cease to hope and aspire and believe in human love and justice...” It is why the Unitarian minister Egbert Ethelred Brown prayed, “May we know that without love there will never be peace. Teach us therefore to love.”
Freedom and unfreedom... 1619. The first Africans arrived in Virginia. They arrived after enduring the brutal Middle Passage. They had been forced into a ship in Angola and cramped below deck. We have no words from them describing their experiences, but we do have the words others who survived the journey from Africa to the Americas. The abolitionist Olaudah Equiano was one of them. Kidnapped as a young boy in what is now Nigeria, he published “The Interesting of the Life of Olaudah Equiano” the same year the United States Constitution became the law of the land. He described the Middle Passage as “filled with horrors of every kind.” He recollected his time confined below deck this way: “with the loathsomeness of the stench, and crying together, I became so sick and low that I was not able to eat, nor had I the least desire to taste any thing. I now wished for the last friend, Death, to relieve me.”
At least two million people--daughters, sons, children, mothers, fathers, parents, lovers, friends, artists, prophets, singers, geniuses, dancers, poets, human beings--died in the Middle Passage. Some succumb to illness. Some were beaten to death when they resisted. Some jumped from the ships rather than endure unfreedom. Let us honor them with a silent prayer.
And a poem: “August 1619” by Clint Smith.
Over the course of 350 years,
36,000 slave ships crossed the Atlantic
Ocean. I walk over to the globe & move
my finger back & forth between
the fragile continents. I try to keep
count how many times I drag
my hand across the bristled
hemispheres, but grow weary of chasing
a history that swallowed me.
For every hundred people who were
captured & enslaved, forty died before they
ever reached the New World.
I pull my index finger from Angola
to Brazil & feel the bodies jumping from
I drag my thumb from Ghana
to Jamaica & feel the weight of dysentery
make an anvil of my touch.
I slide my ring finger from Senegal
to South Carolina & feel the ocean
separate a million families.
The soft hum of history spins
on its tilted axis. A cavalcade of ghost ships
wash their hands of all they carried.
The soft hum of history spins / on its tilted axis. 1619. The first Africans arrived in Virginia not as slaves but as indentured servants. Europeans who lived in the colony were in a similar legal state. Indentured servitude was a system whereby an individual was bound to work for an employer for a particular period of time. At the end of the contract the individual was free to sell their labor to whomever they liked. If they could find land to work, they were also free to live as a farmer. Many poor Europeans made their way, voluntarily and involuntarily, to the English colonies as indentured servants.
Why is this technical distinction between indentured servitude and slavery necessary? Because slavery was created explicitly to divide Africans and poor Europeans. United in mutual love they were a threat to the wealthy elites of the colonies. Estranged through slavery, Africans and poor Europeans could both be exploited to produce wealth for the rich men who owned plantations and factories.
This condition of estrangement was intentionally created to shore up the power of the wealthy. It was created through the legal system. The Africans who arrived in Jamestown, if they lived long enough, died free. Their children were born free. They sometimes united with the children of European indentured servants for greater freedom for the poor. This mutual love was unconscionable to the men who owned most of the land in the colonies, men who understood freedom as the freedom to earn money and not the freedom to be. They passed laws that, in essence, created race and created slavery as a racial condition. First, they passed laws that declaimed that only African people could be slaves. And then they passed laws that said that an individual’s legal status followed that of their mother. If the mother was an African slave then the child, no matter the color of its skin, would be a slave.
Freedom and unfreedom. Sin and salvation. Africans resisted and imagined true liberation from the beginning. They ran away almost as soon as they arrived in the Americas. In the dismal swamps, the mountains, in the deep recesses of the forests, they formed maroon societies. Sometimes joined by poor Europeans who had fled indentured servitude, sometimes joining with Native Americans, free Africans created communities where true freedom was the norm. Interracial solidarity--the salvation of mutual love--overcame the sin of slavery. These communities, as the political philosopher Cedric Robinson has described them, were “communitarian rather individualistic, democratic... Afro-Christian rather than... materialist.” Over the centuries they provided safe harbor for people escaping slavery. Over the centuries they offered a space where people could dream freedom dreams outside of or on the edge of a society where freedom only existed for some people. Many of these free maroon societies lasted until at least the Civil War when they provided bases of operation for African American guerrillas and Union loyalists in the struggle end chattel slavery that the Civil War became.
Freedom and unfreedom. Sin and salvation. Here is an uncomfortable truth about the United States: enslaved people laid the foundation stones of the White House. Enslaved people placed the Statue of Freedom atop the Capital dome. The American Revolution was at least partially about the freedom of men who believed themselves to be white to enslave others. In 1772, four years before the Declaration of Independence, slavery was outlawed in England itself. Men like Thomas Jefferson feared that Britain would eventually abolish slavery in the English colonies. This dynamic prompted the English writer and politician Samuel Johnson to ask, “How is it that we hear the loudest yelps for liberty among the drivers of” slaves?
Throughout the history of this country it has most often been African Americans who held out a different vision of freedom. It is not a vision of freedom based in the ability to enslave others—a vision of freedom rooted in estrangement. It is a vision of freedom based in a belief, in the words of the abolitionist Martin Delaney, “that God has made of one blood all the nations that dwell on the face of the earth.” It is a vision of freedom organized around the idea of universal equality.
The great W. E. B. Du Bois called it abolition democracy. He coined the phrase abolition democracy to distinguish the genuine democratic beliefs of the great abolitionists who opposed slavery from the false democracy of the slave holders. He summarized it in deceptively simple terms. It was “based on freedom, intelligence, and power for all men.” He wrote those words in 1931. If he were alive today I am sure he would have rephrased them to include women and transgender people.
After the Civil War, proponents of abolition democracy demanded full legal rights for the formerly enslaved. They also demanded what we might now call reparations for slavery. They recognized that political freedom is essentially meaningless without economic autonomy. When your entire livelihood is dependent upon some landlord or employer it can seem impossible to vote and act for your own interests.
Alongside political freedom and economic independence, abolition democrats worked for a third thing: universal free public education. They understood that in order for democracy to function community members had to be educated enough to identify and advocate for their own interests. They had to be able to distinguish truth from falsehood, knowledge from propaganda.
Abolition democracy is the greatest of the American political traditions. It is only one that actually offers the possibility of freedom for all people. It proponents form a pantheon saints. In that pantheon are people of African descendant like Phyllis Wheatley who said, “In every human breast, God has implanted a principle, which we call love of freedom; it is impatient of oppression and pants for deliverance.” And Harriet Tubman who wrote, of the struggle for freedom, “I had reasoned this out in my mind; there was one of two things I had a right to, liberty or death.” And Frederick Douglass who gave a speech asking, “What to the slave is the Fourth of July?” And Martin King, and Ella Baker, and Malcolm X, and Fannie Lou Hamer and so many others. It is a pantheon that includes not only people of African descent but all of those who have held out a vision of love that can conquer hate, a vision in which the estrangement of sin can be overcome by the salvation of equality.
Writing about the contradiction between unfreedom and freedom that lies at the heart of the United States, W. E. B. Du Bois argued more than a hundred years ago, “The problem of the twentieth century is the problem of the color-line.” Writing as an advocate of abolition democracy, though she does not use that term, the African American journalist Nikole Hannah-Jones posed her answer to Du Bois’s problem in the form of a question, “What if America understood, finally, in this 400th year, that we have never been the problem but the solution?”
It is a hope that I cling to in these troubled days. It is why I look to people of color and women for leadership in the face of a blatantly white supremacist President who aspires to authoritarianism. It is the saints of abolitionist democracy who have most boldly articulated a different view--a view that proclaims the salvation of love for all. In this desperate hour, when democratic societies are under threat, when racial injustice is increasing, when inequality is growing, when we face the existential threat of climate change, let us turn to their vision of freedom. Let us a proclaim and live an understanding of freedom not born from estrangement and separation but love and unity. For now is the crucial time, not just for you and for me but for all who come after. We live in a moment like the one James Baldwin wrote of at the end of his magnificent meditation on the civil rights movement and race in America, “The Fire Next Time”:
“If we… do not falter in our duty now, we may be able, handful that we are, to end the racial nightmare, and achieve our country, and change the history of the world. If we do not now dare everything, the fulfillment of that prophecy, re-created from the Bible in song by a slave, is upon us: God gave Noah the rainbow sign, No more water, the fire next time!”
Let us inscribe the words of Baldwin, and all the other abolition democrats, known and unknown, on our hearts. 1619. On this four hundredth anniversary of the arrival of Angelo, Antonio, and Isabella, who we know only by the name given to them by their kidnappers, and the other “twenty and odd” Africans who came with them, let us commit ourselves to a vision of freedom for all. It is not a vision of freedom to exploit. It is a vision in which you and you and you and I and all of us can truly be who we ought to be. It is a vision we find articulated in the hymn “Life Every Voice and Sing” which I now invite you to join me in singing.
Aug 16, 2019
Our trip home was relatively simple compared with our trip to London from Sers. It only involved two modes of transit: airplanes and automobiles. We decided not to take the Heathrow Express. The cost of buying four tickets was roughly the same as the cost of hiring a black car to Heathrow. So, we took a black car, complete with London cabbie, from the flat to the airport and then caught our flight to New York. In New York, after we cleared customs, we had to transfer between JFK and LaGuardia. In order to save money I bought tickets from Houston to New York and then from New York to Europe rather than connecting flights through the airlines (I saved over $1,000 this way). We took a New York taxi and then flew home to Houston. Once there we hired a car service via an app and made it home around midnight. We were greeted by a happy cat (or at least loudly purring cat who couldn’t keep off of us if I refrain from anthropomorphizing him).
My blog posts about London are:
Many Happy Future Shocks to You
The Last Bottle in the Country
The Cat Owned the Flat
Reflecting on the Mass Shootings in Dayton, El Paso, Gilroy, and Southhaven from London
Since this is my last post on London, I want to close by praising London cabbies. In London, taxi driving is highly regulated. It is a solid middle income job and getting a job as a taxi driver requires passing a special test, called The Knowledge, and waiting for a few years for an opening (in order to get a job driving from one of the airports you have to be able to speak at least two languages as well). The Knowledge is nothing more than understanding how to navigate through London’s notoriously mazing streets. Cabbies pride themselves in having The Knowledge. And its benefits, even in the age of GPS, sometimes show themselves. On our way to the airport the GPS wanted us to go the wrong way down a one-way street--the street had been converted into being one way for the day. The driver ignored the GPS recommendation and got us to the airport 15 minutes before the GPS on my phone said we supposed to get there, all the while obeying the speed limit. It was an impressive, if minor, victory of man over machine. I am sure that at some point in the near future apps like Waze will outperform The Knowlege. But that moment has not yet come. When I commented on our arrival time to the airport the driver, as if on cue, told me, “It’s ‘cause I got The Knowledge, sir.”
Aug 15, 2019
Like Paris, London is one of the great food cities of the world. On this trip, we ate at two of the city’s most iconic restaurants—St. John and Ottolenghi. We had a number of pub meals, some memorable and some easily forgettable, and fantastic pizza. We also ate mediocre noodles at Menya Ramen House (my son argued, and I agree with him, that the Sunday afternoon ramen—with homemade noodles and broth—served out of paper cups at Ebisuya in Medford is significantly better) and had some innovative dim sum at a place called BaoziInn.
My parents made reservations three months in advance so we could have dinner at the eponymous restaurant of Yotam Ottolenghi—author of numerous popular cookbooks that form a staple in our houses. The thing that surprised me most about Ottolenghi was its modest price. Unlike the two high end restaurants we ate in France, Ottolenghi is quite affordable—plenty of the items on the menu cost less than 15 pounds. In truth, it’s the wine that really costs. If you’re in London, on a budget, and want to eat there, two people could probably have a world class meal without drinks for under 60 pounds (maybe even under 50).
The menu is divided into two sections. There are a bunch of pre-made dishes—essentially tapas—that they have in the window for passersby to see. These are all cold and all delicious. The most memorable was a grilled gem lettuce salad (grilled lettuce being something that I very much like and rarely find on the menu anywhere).
The other part of the menu is the larger hot dishes that come from the kitchen. We got a whole sole to share amongst the three adults, for reasons that are unclear to me neither of my children like seafood, while my son had pork chops (which he split with my father). We had a couple of other hot dishes, the mackerel being most memorable, and finished with some great desserts (the British usually call them puddings) which were flavorful and not too sweet.
We had dinner with Marketa Luskacova our last night in London at St. John Bread and Wine in Spitalfields. Years ago, it was almost impossible to get into. These days it is still quite popular, but St. John Bread and Wine was able to accommodate a party of five with a few days’ notice. Like Ottolenghi, it is surprisingly affordable. The total cost of meal for five, with drinks, was about the same cost as a meal at a fairly good mid-priced place in Houston. The food, however, was in a different class.
St. John is credited with launching a Renaissance in British cooking. When it opened it did something completely different—it offered a well executed return to classic British cooking. Not pub food, or the high-end stuff that, at the time, was basically trying to imitate French or Italian, but the food that the British made for themselves from local ingredients prior to the wars.
It advocated something they called nose to tail cooking—making use of every part of the animal—which I appreciated in the 1990s and still appreciate today (I didn't partake in it then (as I was, at the time, a vegetarian) or now (currently being a pescatarian)). St. John also returned to vegetables that had been forgotten or where rarely used—samphire being one—perfected the Welsh Rarebit, and just generally celebrated local food.
I love St. John because despite all of this it is the opposite of pretentious. The tables are refurbished wood and the chairs exhibit a utilitarian happenstance like beauty rather than an intentional elegance. What’s more, it is quite possible to eat there for the same price as a meal of fish and chips. Their Welsh Rarebit is something like a seven pounds. That, a green salad to accompany it, and a glass to wash it down won’t set you back more than fifteen pounds.
We ate here our first afternoon in London. It is located right up the street from the flat we rented for the week. Overall the meal was quite nice—the best bit probably being their homemade kimchi—but the part we enjoyed most was the sticky toffee pudding. Sticky toffee pudding is a classic British dessert and sometimes can be a bit cloying. This version was just about perfect, spicy and deep with a sweet, but not overwhelming, toffee.
Over the years, I have become something of a pizza connoisseur. As a single parent, I have often had to take my son along with me on preaching and speaking gigs. Part of the deal is that whenever he accompanies, we try the local pizza place that is reputed to be the best. I have lost track of the number of pizza places we’ve eaten at together but it’s easily over fifty.
Our consensus is that the best pizza we’ve had is from Santarpio’s in Boston. It is one of the oldest pizza places in the United States. I took my son there for all of his birthdays between the ages of six and ten and we made sure to eat there when we were in Boston for my first Minns lecture.
Santore is second on the list (I would actually put it first, but I doubt my son would forgive me). Located in the Exmouth Market, they make pizza by the meter. The sauce is amazing (fined ground tomato without too much garlic), the cheese excellent, and the presentation, well the presentation is something else.
We had dim sum for lunch our last day in London before going to go see Hamilton. We wanted someplace near Hamleys, where my son and I spent the morning, from which we could to travel the theater easily afterwards. BaoziInn specializes in colorful dim sum, basically dumplings cooked in dough that’s been naturally colored with beet or spinach juice. Overall, it was among the better dim sum I have had (the salt and pepper squid was exceptional). My son really liked their soup dumplings and there was a cloud ear fungus dish that was something else.
Of the five restaurants I have mentioned, I would definitely go back to Ottolenghi, St. John and Santore. BaoziInn and Smokehouse were both good, but I would only go to them again if they happened to be convenient. The dim sum at BaoziInn is a fun experience but in truth its not as good as Windsor Dim Sum Cafe in Boston, where my family went regularly when we lived there. And Smokehouse is basically a less interesting, and less well executed, version of St. John.
Aug 14, 2019
as preached August 11, 2019 at the First Unitarian Universalist Church of Houston, Museum District campus
This morning’s sermon is a bit unusual. It does not have a single message or a unifying theme. Instead, it consists of my responses to questions from members of the congregation. Thirteen different people submitted questions and in the next twenty minutes or so I will attempt to respond to all of them.
I understand that you do not have a tradition of this kind of service. Among Unitarian Universalists, it is not uncommon. As far as I can tell, Question Box sermons emerged sometime during the 1950s as part of the humanist movement. They were part of our faith’s general movement away from being a primarily biblically based religion--a pattern that began with the New England Transcendentalists of the mid-nineteenth-century. Question Box sermons were, and are, an expression of our theology of preaching. Good preaching is a really dialogue. The preacher listens to the community, observes wider world, connects with the holy that surrounds us, and the infinity of which we are all a part, and reflects back, lifts up, offers some of it the congregation. If preaching does not reflect the concerns of the gathered body then it will fall flat and fail in its task of opening the heart, quickening the mind, moving the hand to action, and expanding our communion with the most high.
With the Question Box sermon the act of listening is more explicit. The preacher responds directly to the concerns of the community. Since ministry is always a shared exercise, I have invited Board President Carolyn Leap up here to be my questioner. I thought it would be good in the service to directly model the shared leadership between ordained and lay leaders that is essential to the vitality of Unitarian Universalist congregations. And so, with that, I would like to invite Carolyn to ask your first question.
1. If we can’t readily be a sanctuary church ourselves, could we support another congregation that does undertake that role?
Shall I answer with a simple yes? Northwoods Unitarian Universalist Church in the Woodlands recently decided to become a sanctuary church. We could support their efforts. Alternatively, we could reach out to some of the other congregations in the Museum District and see if they would be interested in collaborating with us and to work to collectively provide sanctuary. That is what the First Parish in Cambridge did. Together with three other Harvard Square churches they provided sanctuary in concert. Only one of the four churches felt that they had the facilities to offer a family sanctuary. So, the other three congregations provided them with financial support and volunteers and showed up en mass to rally in support of the family whenever there was any question of a threat from ICE.
If the broader concern is about the plight of migrants, there are lots of other things we could do. We could work to make ICE unwelcome in Houston. We could organize a regular vigil at a local ICE detention center. We could figure out how to support children whose parents have been deported. They need to religious communities to advocate for them.
We can take a trip to the border and work with migrants there. The congregation has organized to do just that. A group of lay leaders are planning a trip to Laredo next week to volunteer at a local refugee center. They are leaving on August 15th and returning August 19th. I believe they still have room for volunteers if anyone is interested in joining in them. I am sure it will be a powerful act of witness and a meaningful expression of solidarity in response to one of the great crises of the hour.
2. Xenophobia is Universal. In the U.S. it is black/white; in Romania, Hungarian/Romanian; in France, rich/poor (black); anti-Semitism (Jew). Xenophobia has deep human roots!
I am unsure whether this is a question or a statement. It seems to me that it is an assertion about human nature. It reminds me of the old religious orthodox claim that human beings are innately depraved. While, xenophobia can be found in many cultures, I am not willing to believe that it is something innate in human nature. Certainly, there are plenty of examples of movements and teachers who sought to transcend it. And we know that sometimes these movements and teachers were successful in moving beyond xenophobia.
Jesus preached “love your enemies and pray for those who persecute you, that you may be children of your Father in heaven. He causes his sun to rise on the evil and the good, and sends rain on the righteous and the unrighteous.” Now, we might quibble about the theology, but the message is clear: we are all part of the same human family and we all share the same fate. We are born. We die. We have some time in between. That time is better spent bringing more love into the world rather propagating hate.
More recently than the first century, the Unitarian Universalist theologian Thandeka has done extensive research into how teaching children racism might be understood as a form of child abuse. She tells us that people who believe they are white are taught they are superior and racialized by society, by their families, and, unfortunately, by their religious communities.
And so, I think that this is one of the principle purposes of our religious tradition and the other great dissenting traditions. It is push us to move beyond xenophobia and hatred towards love and compassion. It is challenge us to remember the teachings of the great and the ordinary people who allowed love to be the animating principle in their lives. Religious leaders like Jesus or Martin King or Dorothy Day or Rumi or the Buddha... Ordinary people like the gentiles who sheltered Jews during the Holocaust; civil rights workers who bravely committed to nonviolence in the face of the physical, spiritual, and political brutality of white supremacy; the powerful drag queens of New York who fifty years ago inspired Pride; the, well, the list is so long that if I were to try to do it any justice to it we would be here all day.
3. Climate change is worse than we can imagine. Now! I cannot see a practical way forward!
Just this year the United Nations, drawing upon the overwhelming consensus of scientists, told us that we have eleven years to avert catastrophic climate change. General Assembly President Maria Fernanda Espinosa Garces warned, “We are the last generation that can prevent irreparable damage to our planet.” The future is unwritten. We might be able to avert this damage--and stave off the possibility of social collapse and even extinction that comes with it--if we act now. Will we as a human species do so? I do not know.
What I do know is this. If we are to confront climate change, we will have confront the very meaning of the word practical. A few years ago, the Canadian journalist Naomi Klein wrote a book about climate change titled “This Changes Everything.” Her basic premise was that the climate crisis was so severe that the only way out of it was to move beyond the fossil fuel based capitalism that has formed the basis of the global economy for the last two hundred years. This will mean challenging, and dismantling corporate power, living our lives differently, planning our cities differently, moving towards a different kind of society. Can we, as a human species, be impractical and demand the impossible? I don’t know. What I do know is that in the 1940s people in this country and elsewhere were able to radically sacrifice and defeat the existential crisis of fascism and Nazism. Perhaps we will be able to find the moral strength for such a mobilization again.
4. What led you to the ministry?
Answering this question would take all of the time we have remaining and more. Like a lot of ministers, I have my own story of my call to the ministry. Recounting it, however, takes about ten minutes. So, the succinct answer: I love Unitarian Universalism and think it has the power to change lives, change communities, and change the world. I became a minister because I decided I wanted to live a life of service and help actualize that change. I love people and love the privilege of accompanying members of the congregations I have served through the journeys of their lives. There are few other callings that allow someone to be with people in their most intimate moments--celebrating the birth of a child, the union of love, or death--and at the same time require reflection, study, and a commitment to social action.
Thank you for letting me serve as your minister. It a great blessing to have such an opportunity.
5. Is it possible to choose your beliefs? My friends and family feel like I actively abandoned our faith, but I feel like it was something that happened TO me. I miss being a part of that community, but I don’t think I could ever get myself to literally, earnestly believe in what I used to.
A friend of mine once advised me, “Unitarian Universalists do not believe what we want to. We believe what we have to.” Honest belief is not chosen. It is something we come to through our experiences. For it is religious experience, the connection to or the absence of, the divine that forms the basis of belief. The experience comes first, our interpretation of it, our beliefs, comes second. Try as we might, we do not really get to choose our experiences and so we do not get to choose our beliefs either.
I sense a great deal of pain behind this question. And that is understandable. Many of us connect with religious communities through our families and friends. And so, leaving a religious community can feel like leaving them.
Now, I do not know the fullness of our questioner’s story. So, let me just say this. We are glad that you are here with us and we want this congregation to be a place of healing and joy for you. In this community you are loved, and you are welcome. You and your presence are a blessing beyond belief.
6. The U.U. merger? What was behind it (got anything interesting or unusual to share?) and most of all, what are any theological ramifications. (If they are a perfect fit, why didn’t they merge sooner?)
I have no juicy pieces of gossip to share. Probing the theological ramifications would require a book. The short story, in 1961 the American Unitarian Association and the Universalist Church of America realized that they shared a great deal of theological ground and that they would be stronger together than they would be on their own. The somewhat longer story, there had been people who were both Unitarian and Universalist in their theological orientation in both institutions for more than a hundred and fifty years. For example, in the middle of the nineteenth-century the great abolitionist minister Thomas Starr King served both Unitarian and Universalist churches. Going even further back, unitarianism--which uplifts the humanity of Jesus--and universalism--which proclaims God’s infinite love for all--were of the two theological beliefs that were deemed most threatening to the Roman Empire. They were explicitly outlawed in the 3rd and 4th centuries when the leadership of Christian churches aligned itself with the leadership of the Roman empire.
7. U.U. churches – are there any deaf members or deaf pastors? How often are hymns updated? Is there a group for single adults 40’s+?
So, three questions in one! Yes, there are deaf members in some congregations. My home congregation in Michigan actually pays a sign language interpreter to be present for each sermon. And yes, I know of at least two ministers who are partially deaf and who have had successful careers. That said, I do not know of any ministers who have devoted themselves entirely to the deaf community and who preach using sign language. That does not mean such people do not exist. There are well over a thousand Unitarian Universalist ministers in the United States. I only know a small fraction of them.
We introduce new hymns from time-to-time in our worship services. If you would like to suggest one, I am sure that either Mark or I would be happy to receive your input. Personally, I am always looking for new hymns. Singing the Living Tradition, our grey hymnal, dates from 1994. Singing the Journey, the teal one, dates from 2005. And Las Voces del Camino, the Spanish language the purple one, dates from 2009. This year we will be singing at least one hymn a month from it. I understand that the process of compiling a new hymnal is soon to start.
We do not currently have a singles group for people in their forties. If you are interested in forming one please speak with Alma, our Membership Coordinator, and she will advise you on what to do to get it underway.
8. Why are you so political rather than spiritual? (from the pulpit) Why is your focus on racism and anti-oppression so important to focus on? What gives your life meaning? What are good ways to deal with prejudice in ourselves and others?
Four meaty questions! Let me start with the first, why am I so political rather than spiritual? We are at a crucial moment in human history. The next decade may well determine whether humanity has a future. Meanwhile, we face the threats of renewed white supremacy, both inside and outside of the government, and an all out assault on democracy. Such a time as this requires that I preach from the prophetic tradition. The Hebrew prophets of Isaiah, Jeremiah, Ezekiel, and the like went around the ancient kingdoms of Judah and Israel pronouncing doom and offering hope. They proclaimed that if people did not change their ways the wrath of God would be upon them. And they said that if they changed their ways God would have mercy for them. And, whatever happened, there was always the possibility of repentance and hope. They also said that ultimately justice will prevail upon Earth as it has in heaven.
I do not think that we need fear the wrath of God. But it is pretty clear that if we do not change our ways then our society and even humanity may well be doomed. Certainly, the federal government’s anti-human immigration policies, the constant threat mass shootings that we all face, and climate change all require us to change our ways.
I focus on racism and anti-oppression because I think that the principle change that needs to take place is rooting out white supremacy. I understand white supremacy as racial capitalism in which the exploitation of the black and brown bodies is coupled with the extraction of the resources of the Earth to produce wealth for men who believe themselves to be white. We have to overcome it if we are going to have a collective future.
What I am trying, and probably failing, to communicate, is that my decision to be political from the pulpit is not in opposition to spirituality. It is a specific kind of spirituality. And it is rooted in the things that give my life meaning.
And here I would like to invoke my parents, Howard and Kathy. During the political right’s family values crusades of the 1990s, they told me that they objected to all of those who cast family values as inherently conservative saying, “We have family values. We have liberal family values.” As far as I can tell those values boil down to: love your family, treasure your friends, bring more beauty into the world, and hate fascism. I have done my best to live by each of those tenets. Doing so has given my life a great sense of meaning.
I am not going to get into the question of how to confront prejudice in ourselves and others in any depth. Other than to note, that I suggest a hatred of fascism, not fascists. We are called upon to try and love the Hell out of the world. We need to love those we struggle against and proceed with the hope, however fragile, that the spark of love that resides in each human breast might somehow flame up and overcome whatever hate exists in human hearts.
9. How dogmatic are the 7 principles? What should you do if one of them interferes with justice?
The seven principles are not a creed. You do not have to believe in them to be a Unitarian Universalist. They are a covenant between Unitarian Universalist congregations, and not between individual Unitarian Universalists. We have freedom of belief and if you do not believe in one of the principles you are still welcome and loved in this community. We could have a longer conversation about what beliefs you cannot hold and be a member of a Unitarian Universalist congregation--one could not be a neo-Nazi and a Unitarian Universalist, for example--but that is a different subject.
In order to answer the second question I would need a case, an example, of when one of the principles came into conflict with justice. But my short answer, if there is a conflict between one of the principles and justice, choose justice.
10. How do you reconcile the Christian sentiment of sin with religion/spirituality? For example, is there sin in U.U. or does it encompass following your own ethical code?
Unitarian Universalists could benefit with a more robust understanding of sin. We rightly reject the idea of original sin, that when we are born there is inherently something wrong with us. We think that each human life begins as an original blessing, a joy, a beauty, to celebrated. It’s like the words of our hymn, “We Are...” written by the Unitarian Universalist Ysaye Barnwell:
For each child that’s born,
a morning star rises and
sings to the universe who we are....
We are our grandmothers’ prayers and
we are our grandfathers’ dreamings,
we are the breath of our ancestors,
we are the spirit of God.
Original sin is not the only kind of sin. The theologian Paul Tillich defined sin simply as estrangement or alienation. We sin when we find ourselves estranged each other and from the world that surrounds us. We sin when we give into white supremacy and racism. We sin when undermine democracy. We sin when we propagate climate change. And yet, we can overcome this sin. We can seek reconciliation. We can work for racial justice, build democratic institutions, and seek to live sustainable lives in harmony with the Earth. These are all collective projects and collective liberation, overcoming our various forms of estrangement, is the great task before us.
Sin is also a relevant concept in our personal lives. How many of us are estranged from loved ones? We can work to repair broken relationships, and to overcome sin. We can call the child or the parent with whom we have become estranged. We can reach out to the friend who have hurt or with whom we have grown apart. We can do something about estrangement. We can do something about sin.
11. What is the purpose of Unitarian Universalism in today’s world? What aspects of Universalism are important for us now?
When I was in my final year at Harvard, the philosopher and theologian Cornel West told me, “Unitarian Universalism is one of the last best hopes for institutionalized religion.” Unitarian Universalism’s purpose today is to demonstrate that religion can be, and is, relevant for the world we live in. And that means both nurturing loving and joyous communities that tend to the human spirit and provide places for free inquiry and organizing ourselves to confront the great crises of the hour. Future generations will ask of us, “History knocked on your door, did you answer?” The purpose of Unitarian Universalism today is really to inspire each of us to answer that question in a beautiful, joyous, affirmative!
As for Universalism, the most important aspect of Universalism today is proclaiming the belief that love is the most powerful force in the universe. Love is not easy. It is difficult. Challenging. Transformative. And here I want to quote Fyodor Dostoyevsky:
“...active love is a harsh and fearful thing compared with the love in dreams. Love in dreams thirsts for immediate action, quickly performed, and with everyone watching. Indeed, it will go as far as the giving even of one's life, provided it does not take long but is soon over, as on stage, and everyone is looking on and praising. Whereas active love is labor and persistence, and for some people, perhaps, a whole science.”
12. How can we effectively promote social justice?
Social change happens through the creation of new ways of being in the world and the creation of new institutions. Unitarian Universalist congregations can both be sites for pursuing those new ways of being and nurture new forms of institutional life. Our understanding that salvation is primarily a social, a collective, enterprise rather than an individual one makes us well equipped for such work. It is no accident that the ACLU and NAACP both have roots in Unitarian Universalist congregations. Or that Rowe vs. Wade was partially organized out of one.
When we gather, we are free to imagine a different world, a better world. And we are free to experiment amongst ourselves in bringing that world to fruition. We can be a space that welcomes and loves all in a world full of hate. We can seek to live lives of sustainability. We can practice democracy. And in doing so, we can demonstrate that living in such a way is possible, desirable, enjoyable, and worthwhile. We can save ourselves.
13. In the face of the drift toward totalitarianism how do UU stand to protect democratic values?
I suspect that the person who asked this question heard my Minns lectures on the same subject. My answer took about twenty-six thousand words and I have already been far too verbose. So, instead of answering the question I will just say this: much of our work together in the coming year will focus on trying to collectively figure out how, as a religious community, to develop the spiritual resources to confront the intertwined crisis of the hour. These are the resurgence of white supremacy, the assault on democracy, and the climate crisis. All of these crises are rooted in some form of sin, of estrangement from each other and from our beloved blue green planet. They are at their core religious and spiritual crises. And it is the task of before Unitarian Universalism and all of the good-hearted people of the world to confront these religious and spiritual crises and, in the spirit of Martin King, undergoing a great moral revolution where we move from a thing oriented to a planet and person-oriented society.
Those being all of the questions, I invite the congregation to close with a prayer:
Oh, spirit of love and justice,
known by many names,
the human spark that leaps from each to each,
let us nurture in each other,
a spirit of inquiry,
a desire to seek the truth,
knowing that whatever answers we find
will always be partial,
and that human knowledge
will always be imperfect.
Remind us too,
that the future is unwritten,
and that our human hearts,
and human hands,
have been blessed with the ability
to play a role,
however small and humble,
in the shaping of the chapter
Be with us,
be with this community,
so that we will each have the strength
to answer the question,
“History knocked on your door,
did you answer?”
with an enthusiastic yes.
That it may be so,
let the congregation say Amen.
Aug 13, 2019
My parents have been friends with the Czech photographer Marketa Luskacova since shortly after my father first started teaching in the United Kingdom. They met her when she was a young single mother living in exile. It was the early 1980s and she was a political dissident who had fled the Communist East for the relative freedom of the West. While she was not a fan of the Marxist-Leninist Stalinist regime in her own country, she was no advocate for Thatcher’s Britain either. She spent most of her time making photographs of working-class people who were on the edge of British society and threatened by neoliberalism.
Her most famous photography from the 1970s and 1980s is her series on the performers, hustlers, street people, and vendors who made up the community of Spitalfields Market. Her photography of them earned her praise from, and friendship with, John Berger. It also provided an important document, an artifact of historical memory, that attested to the diversity of human culture under threat from the neoliberal vision—musicians who made their own eccentric instruments, cobblers who handmade quality shoes in their shops not as luxury goods but as necessities for workers, and people regularly creating, rather than consuming, their own culture around rubbish can fires and wooden crates.
It was fitting, then, that we met Marketa for dinner at St. John Bread and Wine opposite Spitalfields. St. John’s might be my favorite restaurant anywhere. I will write about our meal in my London restaurant round-up. For now, I’ll focus on the conversation. Marketa is always illuminating. She is always thinking, feeling, trying to understand her own aesthetic, considering what it means to be an artist, how her medium enables her to see the world, always seeking the spiritual dimension—which for her always has a deeply political element to it, even if the politics are never explicitly stated. They’re there in her subject matter and her framing.
Marketa brought perhaps a fifty test prints from her ongoing series on a Czech carnival that she’s been shooting for nineteen years. Here was her first insight, there is much to be gained by returning to a subject and community year after year—depth of relationship, sensitivity to change over time, and not a bit of self-discovery. And that’s where she offered a second insight, there’s often an emotional disconnect between when she does her strongest work and how she’s feeling. She confessed that she didn’t particularly enjoy this year’s carnival. Over the last two decades it has grown from perhaps eighty people to over five thousand. Going this year was, for her, kind of a miserable experience—too many people observing, not participating, not wearing masks, making a spectacle of the whole thing. And yet, when she started to review her test prints, she realized that she had taken some of the strongest photographs of the carnival yet. Conversely, she confessed, that when she is feeling euphoric, carried away by the joyous feeling of the crowd, she often takes photographs that are not particularly good. Her own internal euphoria often causes her to misjudge what she’s doing—to think it is better than it is.
I can relate. I usually hate my sermons before I preach them. Often, it is the texts that turn out to be my best work—texts that get anthologized, republished in magazines, or assigned in college courses—that I have most negative reactions to prior to preaching. I suspect that is because that when I do my best work, I am deeply emotionally connected to it and this makes me aware of its flaws rather than its strengths just as I am about to put it out in the world.
I know that I am not alone in this. Not only does Marketa’s experience resonate with mine, but I have had a few conversations with my friend Titonton Duvante over the years on the subject. Titonton has been a techno innovator for almost thirty years. When he is really on, really connected with what he is doing, he is amongst the best electronic musicians out there. I have listened to a few thousand DJ and live sets over the last twenty-five plus years and some of Titonton’s are among the most memorable. But here’s the thing, he’s told me that there’s an exact relation between how nervous he feels, how anxious he is, and how good his performance ends up being. If he’s really nervous, on the verge of losing it nervous, then almost he inevitably offers a masterful performance. If not, then not.
Clearly there’s something about the emotional investment an artist has in their art—and preachers are, amongst other things, artists—that is closely correlated to their artistic production.
Back to Marketa... While we were together, she talked a bit about her recent show at the Tate and her upcoming show at the Martin Parr Foundation in Bristol. She and my parents had an extended conversation, which I won’t relate, about the various economic challenges artists face. And she shared that last year she received the Jan Masaryk Honorary Medal from the Czech government. Of course, Marketa had a story about Jan Masaryk.
Her grandmother loved Jan Masaryk, thought he was a humane, sensible, and cultured leader. When the Stalinists seized power, they threw Jan Masaryk out of a window. He died. Marketa was four and she remembers her grandmother being completely distraught, sobbing, over and over again, “They’ve killed Masaryk. They’ve killed Masaryk.”
She told me that when she received the Jan Masaryk Honorary Medal she thought of her grandmother. She imagined her smiling down from heaven on that day, proud of her granddaughter who had resisted the Stalinists and was now being honored with a medal named for a political leader who she had admired.
Spitalfields has changed. The street culture that Marketa photograph is entirely gone—washed away by upmarket shops and good. The cobblers who handmade shoes for the working poor have been replaced by boutique stores that sell fancy shoes, still handmade, to the affluent. Neoliberalism has succeeded in destroying so much of the vibrancy and power of the working-class throughout not just Britain, but the world. And yet, there’s something about Marketa’s story of her grandmother and the Jan Masaryk Honorary Medal. It isn’t about anything as quaint as triumph of good over evil or the inevitable collapse of totalitarian regimes or anything else that I might find truly comforting. It has more to do with the power of perseverance and the truth that the future is always unwritten and that resistance, in some for another, continues. And that there is great power to be found in preserving, through stories, through photographs, in all the forms we can. We create records of resistance, memories and stories, so that, even after its defeat—for Jan Masaryk was certainly defeated—our resistance might continue to inspire future resistance to tyranny.
Aug 12, 2019
originally published on http://firstuu.org on August 2, 2019
I am writing my letter this month from the small village of Sers. Sers is located in the southwest of France in the Cognac region. Asa and I are here with my parents and our family friends, the French artists Gilles Perrin and Nicole Ewenczyk. Gilles is an amazing photographer and I highly recommend you check out his web site. Nicole is a writer and the two of them have collaborated on several beautiful books, a few of which are available in English and one of which they even worked on with my father.
Sers is very beautiful. It consists of perhaps a hundred buildings, almost all erected before the twentieth-century. The village’s real gem is its eleventh-century church. Its ancient stones exude a sense a calming quiet, especially when they are blessed by the sun.
Throughout my vacation I have been feeling quite blessed myself. I am deeply appreciative of the work of First Unitarian Universalist’s staff in my absence. I am equally grateful for the congregation’s lay leaders. Together everyone’s support has meant that I have been able to enjoy my vacation knowing that the important work of the congregation is continuing in my absence. As I wrote in my column last month, the vision and work of the congregation happens because of its members, for ministers come and go. Who knows how many priests have come and gone from the village church in Sers over the last thousand years?
Over the course of my vacation I have been using some of my free time to keep an (almost) daily blog. You can read it at www.colinbossen.com. I’ve mainly focused on art and politics. If you’re interested in art you might be interested in my posts on Libuse Jarcovjakova, Les Rencontres d’Arles, and the Musee d’Orsay. As for politics, you might like to check out my posts on the French Right, the purpose of the Far Left, and the state of the French Left (which benefited from a conversation I had while visiting First Unitarian Universalist’s own John Ambler in Paris cafe).
Mostly, I have been using my vacation time to prepare myself for our coming year together. The staff and I have planned a year-long series of services designed to move the congregation through the transitional work of casting something of a new vision for yourselves. These services will be interwoven with an effort to develop religious resources for Unitarian Universalists to confront humanity’s interlinked cultural, ecological, economic, political, and, ultimately, spiritual crises.
We will start with these services in September. In August, I will be leading three services at the Museum District. The first of these, on August 11th, will be a Question Box service. It will be an opportunity for you to ask me questions about the life of the congregation, Unitarian Universalism, religion in general, or anything else that’s on your hearts. Board President Carolyn Leap will be asking me the questions as part of a dialogue between the congregation’s lay and ordained leadership. It will be an unusual service and I am really looking forward to it!
On August 18th, again at the Museum District, we will be using the service to mark the four hundredth anniversary of the enslavement of Africans in what is now the United States. It is a date that is as a central to the country’s history as the start of American Revolution and it is important that we observe it as a religious community. The legacy of slavery continues to shape the United States, and challenge our spiritual lives, in so many significant, and disturbing ways.
At the Museum District, on August 25th we will be celebrating our annual Water Communion and Ingathering. It is a lovely way to reconnect after the summer and I am looking forward to this special service.
I haven’t mentioned the services at Thoreau in my letter because I understand that in July the Board decided that for months of August and September Thoreau will be following its own worship calendar. And so, the Rev. Dr. Dan King will be updating everyone on worship plans for that campus in his final letter to the congregation.
I look forward to seeing many of you soon. In the meantime, I close, as always with a bit of poetry. In this case, it’s John Tagliabue’s “With sun hats we meet out in the country”:
In the flying and shaking world
some flowers of Money steady us
so we become monarchs of the skies;
he has mentioned magnificence quietly
and now to the flowering Moment
we send the summer Salutation.
Aug 7, 2019
London is the city that looms largest in my childhood. I spent almost every summer of my youth here and have many memories about time in the British Museum, the Natural History Museum, Camden Town, and so many other places. I remember going to the theater and seeing Dustin Hoffman in the Merchant of Venice and both Starlight Express and Les Miserables with the original London casts. I remember staying in a flat several summers in a row near Michael Palin’s place on the edge of Hampstead Heath. I never saw the Monty Python member, but I did pass by the Laurel and Hardy statues he had outside his home on numerous occasions. And I remember playing in parks with my brother and enjoying British television—Doctor Who and Rowan Atkinson’s Black Adder on the BBC—and, most of all, British comic books.
My brother and I were huge fans of the fortnightly 2000 AD. When we were kids, we could get it at almost any newsstand. My parents bought us copies to keep us happy while they spent time with their friends at the local pubs. Each summer when we would stock up on as many copies as we could before we went back to Michigan. Through 2000 AD we were first introduced to writers like Neil Gaiman, Grant Morrison, and Alan Moore. We also became familiar with the comic’s tradition of dystopian political critique and techno skepticism.
I was excited to introduce my son to 2000 AD when we arrived in London. I went to look for a copy in the Gatwick airport only to discover that newsstands don’t carry it anymore. When I was a child it was so ubiquitous that many of the longstanding comic book shops in London refer to it in their store names. Camden Town’s excellent shop Mega City Comics is a direct reference to 2000 AD’s disturbing vision that in the future the vast majority of humanity will crowd into a handful of urban conglomerations. But now Marvel and DC seem to have largely pushed out the independent, and political, 2000 AD. So it was to Mega City Comics that I ultimately had to go to buy a solid set of 2000 ADs. I bought a run of the most recent issues and another run of issues from the early 1990s.
On my way out of the store the clerk told me, “Many Happy Future Shocks to You.” The phrase is a reference to the short vignettes that appear throughout the comics—brief stories with surprise endings. They are creative and often push one to imagine a horrifying, totalitarian, future, as something that might be on the horizon. When I was a child, the comics usually celebrated the plucky bands of misfits and outsiders who struggled against thinly veiled illustrations of futuristic version of Thatcher’s Britain.
The clerk’s invocation of the classic phrase got me to thinking about how much London has changed since I was a kid. In many ways, the future of environmental degradation and rising totalitarianism that some of those 1980s comics warned about appears to have arrived—perhaps partially in the form of a corporate monoculture that won’t stock subversive comics. In other ways, London still feels like a familiar city in a familiar world. Pock marks from German ordnance still line the edge of the Victoria and Albert Museum. The Tube is still way too hot in the summer. Double decker buses are still a really fun way to travel. A bits of Victorian, or even Roman, Britain keep popping up in unexpected places. I suppose that’s the way cities, and countries, are, the shocking future comes but often it overlays, rather than entirely replaces, whatever existed before.